Tag: Editorial

  • Ender’s Game Review: The Good, the Bad, and the Awesome

    Ender’s Game Review: The Good, the Bad, and the Awesome

    EndersGame_IMAX_Poster

     

    Review by EnderWiggin.net founder Crystal Watanabe

    Yesterday I had the amazing pleasure of watching the result of years of hard work by Gavin Hood and his amazing cast and crew after covering my very first red carpet premiere. For the last week I’d been half-reading reviews, scrolling through one-line Twitter reviews, and going through a hand-wringing roller coaster of anticipation and apprehension.

    I’ve talked a lot with Kelly from Ender News about the mutually shared terror that we might have done all this work only to hate the movie. When I saw The Hunger Games at the world premiere last year, I left the Nokia with the dull buzz of disappointment in my head as everyone around me raved about the movie. I never really truly got over that opinion and so going into Ender’s Game, I had no illusions about the fact that I might actually end up in a moody funk at the after party.

    Fortunately, I had nothing to worry about.

    The Good

    The first thing I have to say that it was a dream come true to watch Ender’s Game sitting next to my Ender BFF Kelly, so Summit Entertainment has my sincerest thanks for inviting us to the screening, giving us carpet access, and inviting us to hang out afterwards as well. When you share your geeky hopes and dreams about a movie for 36 weeks on a podcast, you really start to cling to the idea of experiencing the movie for the first time with that person.

    The fansite girls! L-R: Ender's Game Fandom, Ender's Ansible, EnderWiggin.net, Ender News
    The fansite girls! L-R: Ender’s Game Fandom, Ender’s Ansible, EnderWiggin.net, Ender News

     

    Thankfully, Kelly is a movie-talker too because we were constantly leaning over to say things to each other. At one point, she whispered in my ear, “This is surprisingly good! I’m really enjoying myself!” and I could only say, “I know! Me too!”

    I don’t know why we went in with so much apprehension. Perhaps it’s because we’d heard a bad vibe from Germany. Maybe it was the fact that Gavin Hood recognized us on the carpet right away and came at us like Chunk in Goonies, sure that he was in trouble because he thought we’d already seen it. Either way, we were happy and once again found ourselves on the same level of thought.

    I think what surprised me the most was how light-hearted and funny the movie was. With the cast focusing their interviews on the serious aspects of the movie, it was easy to walk in assuming it was going to to be strictly saving the world business the entire time. When you get down to it though, the movie still stars kids and with kids being kids, there were quite a few laughs. There’s one particular line of Bean’s that was truly hysterical and made the whole theater crack up laughing.

    I know some people hate voiceover, but with the majority of Ender’s Game taking place inside Ender’s head, Gavin Hood needed some kind of method of getting inside his head. To do this he had Asa do voiceover of emails Ender writes to Valentine. These occur throughout the film and I felt it helped to really move the story along. Without it, I think fresh viewers would have been extremely confused.

    The Mind Game was beautiful, though parts of it were excised. I’d seen a lot of concept art from it in the official companion and on screen it looked great. And seriously, Gavin Hood’s giant is one of the most epic director cameos ever.

    The Bad

    I think Orson Scott Card summed up the bad the best when he recently spoke to a newspaper in New Zealand and said that the movie “rockets along at a breakneck pace”. The movie clocks in at under two hours, which, if I’m being honest, shocked me and so I went in expecting to feel like I was watching the movie on fast forward.

    The pacing of Ender's Game, taking off from Desert Salt Flats.
    The pacing of Ender’s Game, taking off from Desert Salt Flats.

    The film definitely suffered from a rushed feeling and I’d really love to see an extended version released because I really did feel like some parts could have benefited from just a couple of more minutes here and there. I had this odd feeling throughout the movie like I was seeing the movie through some weird movie version of parent goggles and that people walking into this movie without reading the book would find that while the acting, visuals, and sets were simply stunning, it was all just going too fast. But then again, perhaps the feeling of urgency is easier to accept without prior book bias.

    For diehard book fans, change will probably be the hardest thing to swallow.

    Since I had the chance to go to the Ender’s Game set, talk extensively with the people behind the movie, and have interacted with the cast over the last two years, I feel like I’ve been inoculated to the changes that were going to be coming at me in the movie. With that in mind, it’s possible that because of this I was more accepting of changes that may be stark and jarring for fans just hearing about the movie last month and going to the theater to see what’s up with their favorite book from high school.

    Knowing as much as I did, there were more changes I did not know about and while I felt they were all necessary for the film Gavin Hood made, I think some fans will find it hard to swallow. One in particular is on the subject I’d brought up last year on the death of Stilson.

    In Pondering the Fate of Stilson, I laid out why I didn’t think Stilson needed to die and why I felt like his death was too dangerous a message to send out on the big screen. Response was almost 100% against me. Everyone felt that Stilson had to die, even though I argued in discussions that since Ender didn’t know it happened until years later, it didn’t have any bearing on his development as a character.

    People can argue with me until they’re blue in the face; I will never be convinced that reading about a child’s death is equal to watching a child die in a movie. The two are completely different forms of media and what a pre-teen or teen imagines while reading a scene such as Ender and Stilson’s fight will range anywhere from tame to excessively violent depending on the individual and you can’t put a fight to the death on screen and expect that wide spectrum of youth to experience a single visual vision the same way.

    In the movie, it is never specifically said that Stilson or Bonzo die; their fates are left ambiguous and most moviegoers that haven’t read the book will assume that they live. This is a choice that I fully agree with. The risks the studio would have taken sending that kind of message out on the subject of bullying was not one they should be expected to take. Bullying is a serious, serious issue with today’s youth and justifying Ender’s actions that led to another child’s death would have been stepping over a line no book fan should expect to be crossed for the sake of a film adaptation. Ender lives in an extreme situation, but you can’t assume everyone will fully understand that, especially when a lot of people will see this movie without having read the book.

    In the end, my advice to fans is to go in with an open mind.

    Ender-Petra-Training

    One last thing that can fall into the bad category (and yet not) is the relationship between Petra and Ender. The cast, director, and producers talked a good deal about their friendship and how drawn they are together as friends, but the fact of the matter is that there is an underlying connection between the two of them that hints at something more.

    From the things Petra says to Ender to the way they smile at each other while training to the mysterious way Petra sits while talking to Ender from her room on Eros, that teen love interest angle is very carefully there.

    That being said, it doesn’t come across as a bad thing. These kids are, after all, at that age and to excise even a hint of young love completely would have probably felt a little too rigid and made Ender seem unrelatable to teens his own age. If Ender had been 8 having a crush on a 12 year-old Petra, then I can see there being a valid argument, but as the movie stands, what they did felt appropriate.

    The Awesome

    Asa Butterfield is an amazing Ender. I did catch one time where his American accent seemed to slip slightly, but other than that, I was very impressed with his performance. His smile makes you happy and sad at the same time, but when Ender is crying you get to see the emotional core of the Ender that book fans know and love. I never really felt like I was watching Asa Butterfield. I felt like I was watching Ender Wiggin.

    ENDER'S GAME

    On a similar note, I’d read criticism that Abigail Breslin is underutilized, but I was surprised at how well she pulled off the character of Valentine with practically nothing being said about how intelligent she really was. From her clothing to the way she walked and talked, she felt like Valentine to me.

    Peter did not have much screen time, but Jimmy Jax Pinchak pulled off the character really well. One of my favorite Peter scenes in the book wasn’t present, but I didn’t even notice. Seeing Jimmy at the after party in a suit and tie wearing glasses was like a knock in the face. I was like, wow, the movie’s over and here’s Peter Wiggin the Hegemon! It was surreal in an amusing book nerd kind of way.

    The Battle Room was grand and at one point I just wanted to blurt out, “LOOK at that Battle Room!” Graff’s hook was really cool and the way these kids hit the stars made me cringe every time. When we interviewed the kids on the carpet, we usually asked them their favorite scene and a lot of them went straight to the Battle Room. They weren’t wrong as the battles were amazing to watch in such an amazing arena.

    The only drawback was that before you know it, the Battle Room scenes are over. However, when you have the director telling you that some 3 second shots cost $100,000 to produce, it puts the lack of more Battle Room into perspective. Gavin told us he did try for more, so we’ll all have to trust that the did what he could.

    Building0193

    The impressiveness of the Battle Room aside, what amazed me the most in terms of VFX was Ender’s simulator on Eros. We were lucky enough to be able to stand on that platform that Ender stands at and it was in this gigantic green screen room. I remember standing there looking up and just being in awe over what they were going for and I wasn’t disappointed. Being a former hardcore MMO gamer, I loved the look of happy awe on Ender’s face as he saw what they’d set up for him.

    In terms of writing, I loved the way Gavin wrote the final reveal to Ender. The scene that follows his last victory is sad, tragic, and emotional in all the ways you expect it to be with Asa Butterfield’s Ender. I also loved how he tied the Battle Room into the finale because it was an issue I’d always had trouble understanding with the book.

    I got to talk to Gavin about it at the after party and he said the same thing: how do you explain the correlation of such rigorous physical training from the Battle Room to pure simulation, basically kids sitting on their butts playing “games” all day, in Command School? I thought how he explained that on film was a great choice in storytelling.

    Overall, I thought the film was an amazing accomplishment and one kick ass ride. The cast turned out great performances and I’m proud and happy for all of the kids who stood around Ender making him who he is. Throughout the entire movie I kept thinking to myself: I have to see this again. I have to see this again. And I will.

    Some fans will enjoy it, others may walk away disappointed. But what’s particularly exhilarating for me is that it’s finally here. My mother gave me this book twenty three years ago and as soon as I finished it, I could only wait for a movie to be made.

    I waited a long time.

  • Straight from the Set Part 4: Ender and His Jeesh

    Straight from the Set Part 4: Ender and His Jeesh

    Welcome-Party

    We were sitting in a room waiting for the young cast to come in when the silliest thought popped into my head. We were about to interview the majority of Dragon Army. I felt like a reporter in the Enderverse, chosen to fly up to Battle School to talk to the future heroes of Earth before they headed off to some undisclosed location. And then Academy-award nominated actress Hailee Steinfeld walked into the room and snapped me back to reality.

    The first time I’d seen young Hailee was on screen when she was just thirteen years old. I sat in the theater with my husband watching True Grit and thought, “Just who the hell is this girl?” She blew me away. I went home and looked her up and was astounded to learn that she’d been among 15,000 girls that auditioned for the role of Mattie Ross. Watching her stand her ground with the likes of Jeff Bridges and Matt Damon while barely a teenager, I knew she was someone special. An Academy-award nomination would later confirm I wasn’t the only one who thought that.

    But while acting with Jeff Bridges would clearly unnerve even an Oscar winner like Jennifer Lawrence, so having time to just be a kid with other kids must be its own breed of cool. And that’s just what she confirmed for us right off the bat. “It’s been so much fun, you know, more fun than I imagined.”

    AsaAnd then, before we knew it, Asa Butterfield had walked into the room. The first thing you notice about Asa (pronounced ay-sah) is how slight he is in stature. So while many of you may be having a hard time with his height, he still has this vulnerability to him because he is so thin. That is, until he stares you in the eyes. A piercing blue, our Ender Wiggin has an intense stare, one that would make any fan somehow comforted by the fact that the person playing him can make you feel intimidated even if he’s less than half your age.

    We got right into talking about his audition. How exactly did director Gavin Hood find that one boy in a million to play the boy genius savior of Earth that people had been waiting literally decades for in theaters? Turns out he was in Los Angeles and auditioned for Hood in person. Later, just as he and his mother were to leave for New York to do press for Hugo, his mother walks into the room and tells him to take a deep breath. Right then, he knew he’d gotten the part. “I literally screamed. Like I was flipping out. It was amazing.”

    During our interview with the producers, Linda McDonough had related a story to us about a time when the kids just couldn’t stop laughing. Under pressure to keep on schedule, the producers were agitated when the laughing spread to the crew. Hailee and Asa gave us a bit more insight into just what was so funny. Stunt coordinator Garrett Warren had put them into a wheel harness they called the “hamster wheel” that flew them around. At one point the two of them were upside down, wearing their really tight helmets.

    “[It] made us look…sort of hamster-ish. Hence the name.” laughed Asa. “Usually around 5:00, 5:15 […] we reach delirious point. At which point anything, if we work together, anything we say, we’ll just be on the floor laughing.”

    Off the set, the kids didn’t have much to do in New Orleans since none of them were 21, so they simply hung out together. “I think the weekend is really our time to relax so there’s just kind of going over to each other’s houses or just laying low, really. Just spending time together is, you know, the best.” said Hailee. This included things like Aramis teaching the other boys basketball and Asa teaching Suraj how to beat box.

    While we’ve heard that Moises Arias (Bonzo) was intimidating to the background extras, Asa insists they were all like family and had no problems being professional once they came on set. Before they were to do the shower scene, Asa said he and Moises were fantasizing about what they were going to be doing during the fight. “We both were like wondering, “Am I going to do a back flip over you or something?”” he said, grinning. “It’s an amazing scene. [D]ifficult to shoot because they could never show me naked, but yeah, it was an amazing scene.”

    When we asked about the pressure of adapting such a classic novel with a longtime fanbase, Steinfeld said she didn’t look at it as pressure so much as an honor. “I told my mom […] one of the main things I want to do in this is still appeal to the massive cult that already follows Ender’s Game.” said Asa.

    dap_long

    As we chatted with Asa and Hailee, a monstrous man walked in the door. Being a die-hard Game of Thrones fan since the 1990s, I simply knew him as Xaro Xhoan Daxos. Nonso Anozie, who plays Sergeant Dap, had to bend over to get into the room. He then sat down and crossed his massive arms.

    Trained by a real drill sergeant, Anozie admitted he wasn’t sure about something. “A few weeks before we actually started filming […] I was wondering how far I could go, if I could shout at the kids.”

    We certainly wanted to know too! “He shouted.” confirmed Asa, and everyone laughed.

    “After my initial few scenes I was walking around for a few days with a hoarse throat; I was screaming pretty loud.” said Anozie, chuckling.

    Eventually, we were joined by a large group of cast members: the rest of the jeesh. Aramis Knight, Suraj Partha, Caleb Thaggard, Khylin Rhambo, and Conor Carroll rolled into the room and started telling us what they’d pick to take from the set. Aramis wanted the little compacted mouse they’d used earlier that day. Khylin would keep his flash gun. Caleb and Nonso said they’d definitely keep their desks. “They’re really, really cool. A lot of the stuff is working, a lot of the stuff you can actually hold and pick up. That’s the thing I like about this movie, the things you can actually grab hold of.” said Anozie.

    Suraj was thinking a little bigger than the rest of them. “I [w]ould take the whole thing and literally make a museum out of it.”

    When talk moved on to the Formics, they had differing opinions about the aliens. Giant ants with claws and teeth. Intimidating. Advanced, like a threat. Conor said he was most afraid of the thought of being a Formic because that’d mean he’d have to be around Formics all the time. Yet they’re not without their own unique beauty. As Suraj put it, “You’re supposed to be grossed out by them but they’ve done a good job with the color, really making them creatures that, once you get to know them, you would love them and you’d want to live in peace with them. It’s really interesting.”

    They’ve talked extensively in other interviews about going to Space Camp for training and they were more than excited to tell us about all the muscles they’d developed with all the physical training involved.

    Khylin told us one of the things he was most anxious about was how it would turn out, since it was no doubt going to be difficult acting and somersaulting while being in pain. However, with daily practice, it wasn’t nearly as bad as he’d anticipated. There may have been some joking about 6, 12, 18, and 20 packs. One of the most fun stunts they did was their first going into the Battle Room. “It was on a zip line.” recalled Khylin. “And they said, “Let go. Go as fast as you want, run, whatever you want to do and like if you want to flip or you just jump out.” It was amazing.”

    Space Camp

    While at Space Camp, they even got fly a simulator, though none of them were good at it except for Suraj. “I literally crashed my plane at least 17 times.” admitted Conor.

    To get themselves riled up for filming, they’d chant and even gave us a demonstration. “We had a bunch of different chants.

    As mentioned in our talk with Christine Bieselin-Clark, the flash suits were fantastic, but when we asked if they were comfortable… “NO. No, no.” they all agreed. “My favorite looking is the flash suits.” joked Khylin.

    The way Suraj tells it, getting dressed in their flash suits sounded like the scene in Ender’s Shadow when Bean has to jury rig his suit to fit his small body and it’s in pieces at his feet. “I don’t think that anyone is ever going to realize that to get these things on we had like 4 people on us tugging at the pants, trying to get the jacket over, and trying to zip this up so this is.” And Bean did chime in on the difficulty.

    “I remember the first time and all of us tried it on at the same time and I remember all of us were like, “Yeah! We can do this.” Fifteen minutes later: “I can’t do this.” ‘Cause, it’s not like it’s really like… you can move, it just gets tough to breathe after a while because it’s tight and so well-fitted. And it also gets hot cause there were at least nine layers, at least.”

    Lucky for them though, there was no strict diet. Just a friendly reminder here and there to stop growing so fast, though the training would make them bulk up enough where the initial fitted suit was too tight. “I almost fainted. It was like getting hugged by Nonso.” said Khylin. Even so, cast-mate Moises would always try his best to keep the rest of them eating right.

    “He won’t eat anything unhealthy. He is the most healthy person I’ve ever met.” said Suraj. As if on cue, we suddenly found ourselves talking favorite Pop Tarts, a conversation that no doubt would have had Moises shaking his head. Aramis was bemoaning the fact that he can’t find his favorite Wild Berry type in LA, when someone told him that they’ve spotted those before. He quickly raised his hand to his mom in the back of the room, saying, “Write that down!”

    Just as Caleb was telling us about setting a toaster on fire while trying to toast a S’mores Pop Tart, Nonso dropped the bombshell on us. He’d never had one. “They’re like little toasty things with jam inside?” he asked.

    As for whether they’re signed on to do more movies? Caleb had the most straightforward answer. “Let’s just say this: Hopefully people buy enough tickets and we’ll all get to find out.”

    Hopefully indeed!

    Our set visit reports will conclude tomorrow with our interview with stunt coordinator Garrett Warren, set designers Ben Proctor and Sean Haworth, and Sir Ben Kingsley. 

  • Straight from the Set Part 1: Producers Talk Ender’s Game

    Straight from the Set Part 1: Producers Talk Ender’s Game

    You are reading Part 1 of a five-part Ender’s Game set report series scheduled for the next week.

    Michoud

    As of today, it’s been 464 days since I was on the set of Ender’s Game in New Orleans, Louisiana, staring up at vast green screens and sets in what can only be described as complete and utter awe. Never in the week leading up to that day had I imagined the place I ended up in.

    I live in Hawaii, so when my journey began, I was put on a 10 hour direct flight from Honolulu to New Orleans. Seven hours into the flight I was ready to jump out of the plane, but consoled myself with thoughts about what was to come. I met Erin Gross from Ender’s Game Fansite at the airport and we shared a cab to the hotel.

    After checking into one of the most gorgeous hotels I’d ever been in, I looked out the window to check out my view, then relaxed until it was time for dinner with Erin. I’d already “known” her by name through our Hunger Games websites, but this was the first time we’d spent some serious time together. It was great to finally talk with someone doing the exact same things that I was doing and who also loved Ender’s Game.

    We met up with Kelly from Ender News, who would later become my podcasting partner in crime, and Cassandra from Ender’s Ansible. After a bit of chit chat, we said good night. I tried to prep questions, tried not to get too excited about the next day, and tried the impossible task of falling asleep.

    In the morning, we met in the lobby and found a group of other press that would be touring with us including journalists from HitFix, IGN, J-14, and Nerdist. We were given Ender’s Game set badges (which I still have!) and hopped into a van to be driven out to Big Easy Studios at the old NASA Michoud Facility.

    Once we got on site, we were taken to the production offices and lead into a conference room wallpapered in concept art and notes. I saw refreshments to the side including my weakness, strawberries, but I was too excited and almost too nauseated to eat. Bob Orci, the producer, was in the room. I’d had no idea he’d be there and being a big fan of a lot of his work, I was more than a little starstruck. Then we sat down and he and fellow producers Lynn Hendee and Linda McDonough proceeded to spew out everything I could have ever wanted to know about the movie they were making.

    Ender’s World

    Although they hadn’t yet taken us on a tour of anything, the initial producer’s presentation was a gold mine of imagery. If you can recall how long we all have been analyzing and scrutinizing each of the stills and imagery that come out, imagine having 50 of those flash before your eyes in a matter of minutes. I had to force myself not to shriek, “STOP! Go back! I didn’t stare at that one long enough!” Still, Bob Orci continued to flick through them one after another.

    An International Fleet school on Earth. Image courtesy of Summit Entertainment.
    An International Fleet school on Earth. Image courtesy of Summit Entertainment.

    Even though I’m a longtime fan of Ender’s Game, I admit I never put too much thought into the world that the Wiggins lived in on Earth. Judging from the still above, which Summit provided to us for this report, Ender lives near some type of metropolis. But while in the book, the Wiggins live in the city, that won’t be the case with the film. The Wiggins in the film will live in a home closer to what you may have imagined Bean visits in Shadow of the Hegemon.

    “We want[ed] what’s happening on Earth to contrast to the technology of space. So many sci-fi novels present a dystopian future, kind of an ugly place, we wanted to present Ender’s world as one worth saving, one that’s become utopian in many ways.” said Orci. He showed us a slide of a beautiful home with classic columns. “Just like the Vatican is alive and well the way it’s been existing for the last five hundred years here, […] why wouldn’t there be classic houses?”

    The Wiggin home is utopian indeed. We were shown photos of Harrison Ford as Colonel Graff and Viola Davis as Major Anderson inside a very picturesque living room, presumably when they’ve come (together, I might add) to take Ender to Battle School. Last month, we actually got to stand in that very same living room at the Ender’s Game Experience at Comic Con.

    While a lot of the stills they showed us have been erased from my memory by time, one that managed to stick with me is an overhead shot of Valentine looking up at something with a sad look on her face, presumably at that point Ender is already gone. I can’t remember if it was a mobile or something else, but it could possibly be the plane hanging from the ceiling of his bedroom.

    The homes aren’t the only things carrying “classic” themes. At school on Earth, the classrooms are designed after typical science classrooms just like one that you might have learned in yourself. When it comes to Battle School, however, you can see the contrast Orci talks about when you compare the classroom you know with this image (below) of a classroom in Battle School. We also saw a still with Ender facing off against a rather intimidating Stilson.

    Battle-School-Needs-You27

    Some of you may remember we all got to see a photo of Ender’s monitor last year and during the presentation they showed us a photo of Ender sitting on a medical examiner’s table, with some concept art of the utopian society shown on a window behind him.

    Trailer2-HR0648

    In the trailer, there’s a shot of a rocket shooting into space and I’m assuming that this is Ender and Graff launching from Earth to go to Battle School. Orci mentioned that they’d started with concept art of a space shuttle taking off like an airplane, but they were promptly shot down by SpaceX CEO Elon Musk, who they’d been consulting with. “[Musk] said, “No, that would never happen. Since you’re trying to get up, just point the damn thing up.””

    Next: Battle School and the Battle Room >>

  • EnderWiggin.net Trailer Breakdown and Analysis

    EnderWiggin.net Trailer Breakdown and Analysis

    All right Launchies, hunker down because we’ve got a long one for you all to read! Here’s our staff analysis of the Ender’s Game trailer released last week. Don’t forget that you have a chance to see the trailer in theaters with Elysium!

    Spoiler

    Trailer2-HR0082

    Question: What scene is this? Is it from the Great Invasion or one of Ender’s battles from Eros?

    Crystal: While they’ve been “spoiling” people in the trailers by showing two bright blue laser shots going at a planet, I’m not entirely convinced this is Ender’s destruction of the bugger homeworld. This definitely looks like the climax, when Ender sends his ships to dive down to the planet to focus their Dr. Devices on the planet itself. The ship looks like it’s burning up as in plummets down and it’s got the long shape of the ships Ender commands. Plus, there are SO many buggers that I feel like this can’t be the Great Invasion. Especially since the sky looks brown, not blue like the Earth scenes.

    Dee: The way the lit ship is moving through the swarm, I’d think this is one of the later battles that Ender directs from Eros. The shape of the ship is also more in line with that than with the more contemporary look of the ships that Earth used during the Great Invasion. This could be during the final battle, in which Ender directs Earth’s ships in such a way that they “worm their way” through the swarm to get at the planet.

    Anthony: I believed this to be the initial battle where they invaded Earth and Mazer fought them off. This is his moment I thought since it is at the beginning of the trailer.

    Liz: Wow, trying to analyze all of these battle sequences is tough!  So many of them could be from any point in the book – we’re not shown quite enough details to make a firm judgement call.  For this one, I initially assumed that it was from the First Invasion (or Second Invasion, or the Only Invasion) just because that’s what the voiceover is talking about. However, after looking a little closer, I think I agree with Crystal and Dee that it’s from either the final battle or one of Ender’s last battles with the Formics.  Not only does the ship look different, but it’s plunging through a mass of Formic ships and appears to be taking fire as it goes (implying they’re not all on the same side).

    Trailer2-HR0118

    Crystal: Since the ships are pointed in different directions, I think this is after the mothership explodes in the Great Invasion and the Formic ships are in freefall as they plummet down. And look! You can see farmlands on Earth below!

    Dee: I love how organic these look – they could be made of the same substance that the carapaces of shrimps are made of. The middle one already has a skeleton look to it.

    Anthony: Ships falling after Mazer destroyed the mothership. Very cool scene.

    Liz: Yup.  Those suckers are going down.

    Trailer2-HR0205

    Crystal: You guys can shoot me, because I saw this lake scene and immediately thought they dropped Ender off in Forks, Washington. Hahaha! That being said, I want one of those cars, even though it looks a little… stunted on the top. Great for short people like me! Ender will probably klonk his head on the top getting in, poor kid. i  love that they kept Ender’s raft!

    Dee: Beautiful. I’m not so sure about the car – it looks a little … pudgy? Ender is wearing white – the same pyjama-like clothes, I presume, that we saw him wearing on Eros in the first trailer. I love the raft – it’s a lot fancier than what I imagined while reading the book.

    Anthony: I think the car is actually a let down. Future looking, but future from the 1950’s. Oh well. I like the raft too. Glad they kept this scene as it is important to the story, but I think it is a point where people will drift and want to get back to the action. It will be referred to as that boring lake scene.

    Liz: Forks – awesome, Crystal.  I was actually intrigued by their choice of scenery here.  In the book, Ender is from North Carolina (harkening to OSC’s own native land).  I think when I envisioned the lake scene,  there weren’t any mountains.  It was an open space, not so…Lord of the Rings-ish.  Cause when I saw it, I thought New Zealand.  😉   Also, I agree with Anthony about the car.  It definitely has that retro sci-fi look to it.

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    Crystal: I’m torn. I don’t know if this is the mind game, Eros, or the bugger homeworld after the war. That’s obviously a crashed Formic mothership and debris of other small ships. I’m guessing that’s Ender out there in the distance. I haven’t made up my mind yet on whether they move the final scene to Eros or if they do like a “1 year later” kind of thing with Petra instead of the young boy. I used to think it was definitely Eros, but now I’m not so sure.

    Dee: I stick to my original assumption about this scene. This is Eros. SPOILERS: The crashed mothership contains the pupa of a queen, and instead of finding it years and years later on Shakespeare, he finds it here, on Eros, when his pain and the determination of making it right are still fresh. If I’m right, he will then go off with Petra (not Val) to find a new home for the formic race.

    Liz: I agree with Dee.  How I’ve pieced it together is this.  After the final battle, Ender  (in his solitude and despair) wanders out onto Eros amid the old wreckage and perhaps finds the pupa there.  He decides to take it and leave.  I’m going to continue my Lord of the Rings references here…So much in the same way that Frodo , at the end of “Fellowship,” decides to go it alone and take the ring to Mordor.  Sam (in our case, Petra) runs after him and swears herself to go with him and help him rebuild the Formic race – we have that one clip of her running out onto Eros with a backpack, and I can just hear her yelling, “Wait, Ender, I’m coming with you!”

    Anthony: Well I don’t really care for replacing Val with Petra in this scene, but I can tell the movie is pushing Petra more into the main role than she was in the book so it makes sense. This would be another problem in the sequel then if there is one and it is based off of Speaker for the Dead.

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    Crystal: Looks like this is the start of the final battle, in which Ender first sees their numbers and despairs, sitting in silence until Bean breaks him out of it.

    Dee: I agree – this is the beginning of the final battle. Notice the uneven structure around the ship’s nose (in the trailer you can see it move): those seem to be hundreds of little ships sticking to it like bees before they move off to form a swarm.

    Liz: I buy that.

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    Crystal: LOVE this, it looks amazing! I think it’s a great shot for showing the sheer numbers humanity is against. Since it’s got a brown surface, I’m going to guess this is the bugger homeworld.

    Dee: The formic home world. While I think it looks very scary in terms of creepy ships and overwhelming numbers, I had hoped that they would show a little more of how the formics live on a day-to-day basis. This is all about military mobilization, but in order to comprehend the tragedy of what Ender does in the final battle audiences might want to be able to identify with the formics.

    Anthony: I don’t think that is the goal at this point. The book keeps the buggers scary and the enemy until after the final battle. That is where you learn that it was a miscommunication. Good looking to show the homeworld and their swarm like mentality.

    Liz: Agreed and agreed.  That’s a lot of freakin’ ships.

     
     

    Crystal: Our first look at Admiral Chamrajnagar! Love it! Though, it’s weird that it’s the exact same robotic sitting Launchies as in the Graff still.

    Dee: I tried to look very closely at this particular still. This seems to be set in the launchie classroom before they delve into their studies. They get a few greetings/messages from important officers, impressing on them the importance of what they are about to learn. This is Ender’s launch group (in launchie yellow, and Ender is among them). Let me point out a couple of kids I think I identified in the picture.

    Girls 1 and 2 and boy 1 are students we have seen before in the first still they released (the one in which Graff yells at Ender). What I find most interesting is that Bean seems to be in Ender’s launch. It makes sense if they compress the story into one year, but I expect a lot of fans to be unhappy with this.

    Anthony: I agree with what this scene appears to be. That sucks that Bean is in Ender’s launch, pretty much totally ruins the chance for an Ender’s Shadow sequel.

    Liz: Yep – A message from the Admiral, and then a message from the Commandant.  I also think it stinks that Bean is in Ender’s launch group.  But as we’ve seen, he’s also not the smallest member of Dragon Army.  I think they’ve really taken away from his character by casting that other girl who’s the same size as he is.

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    Crystal: Looks like Graff is watching a battle in the Battle Room. You can see the stars reflected. He looks like something unexpected or amazing is happening, but I don’t know what it could be.

    Dee: Ender is surprising Graff with his skills here. This could be either the first or a particularly unfair battle, rigged by Graff to be impossible to win, except Ender always wins.

    Anthony: Ditto. Ender winning where there was supposed to be no chance to win.

    Liz: This is a fascinating design element to me.  I think when a lot of us pictured the Battle Room, it was the black box as described in the book.  Not only were there no windows to space, there were no windows at all.  The idea of a control room, of someplace that the teachers could watch the battle, never occurred to me.  I guess I just assumed there were cameras throughout that displayed on monitors somewhere.  I think this will make for some cool visuals as we see the teachers’ reactions in real-time, with the events reflected in the background.

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    Crystal: People have been saying Ender looks grumpy all the time, but I think he just looks intense. And that’s really how we’re supposed to see Ender as he rarely has a happy moment in Battle School. 🙁

    Dee: It’s Damian from The Omen. No, seriously, Ender doesn’t look particularly happy throughout the trailers, but then I don’t remember that he ever laughed or even really smiled in the book. Another thing that I immediately noticed about this still is how young he looks here. Babyface.

    Anthony: A couple of times he smiles with Alai I think in the book. Glad he looks young. That are all so much older than the book anyway.

    Liz: Yeah, there are one or two scenes that I have seen in the trailers where I think,  “Okay, good, he actually looks younger in that one.”  My biggest concern with this entire adaptation has been the aging up of the characters.  So when we get some good shots of that young-looking face, I feel a little bit better about it.  But then I remember that he’s the same height as Ben Kingsley.

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    Crystal: Mazer is saying that Ender is not ready, so it sounds like they’re going to have him on Eros for a while before transitioning him to the real battles, just like in the book. I love this interaction between Graff and Mazer!

    Dee: I am really surprised that they made Mazer Ender’s primary ally here. He is the one who wants to protect the kid when Graff feels that he should be worked harder/advanced without being ready. I didn’t get that vibe from him in the book, but then, maybe I just forgot.

    Anthony: As the previous hero I always thought that Mazer was the one who felt for Ender and what he is about to go through. The pressure. He already lived it so he is the only one that can relate and Ender can relate to him about the pressure of being the hero.

    Liz: I am very interested to see what dynamics they develop between these three characters.

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    Crystal: I’ll be the first to admit Graff’s flat voiceover in the first trailer was a little disappointing. However, I really loved this really short scene in which Graff just looks tired and sad. One thing that really bugs me though, is that his line “You’re never ready. You go when you’re ready enough.” is botched in the new trailer. His voice comes out nice and clear in the trailer preview, but in the actual trailer it’s actually hard to hear him say the word “go”.

    Dee: I love Harrison Ford’s subtle acting here. He looks resigned to the point of amusement, but at the same time really sad. And his soft delivery of the line was a very pleasant surprise. Graff does care about Ender. He does not feel like he has a choice, but it breaks his heart.

    Anthony: About time Han looked like he had some emotion.

    Liz: Okay, I’m going to say this here, and maybe I’ll write something up about it later as an op-ed piece.  All I can see when I watch these scenes are the crazy IF uniforms!   What in the world is going on?  I’m okay with the jumpsuit design, the colors, etc.  But the whole thing just looks very…cartoonish.  Those nametags are big enough to be read from fifty yards away, and I still haven’t figured out why they have braille on a military nameplate.  The sort of “wings” over the left breast are also confusing to me, since everyone seems to have them, so I’m not sure if they are space wings or what.  I haven’t figured out how they’re doing the military ranks, since everyone also seems to have the same two parallel bars on their collar, and nothing else on their uniforms that seems to indicate rank.  I want to talk to Christine myself!!!  I have questions!!!

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    Crystal: This battle looked seriously cool, but it confuses me too. I guess they’ll have more than one planet in their battles with the Formics?

    Dee: This scene looks  awesome. I had been wondering how they’d visualize Ender’s brilliance as a strategist since Card is not really very specific about the actual tactics Ender employs. This seems like a cool example.

    Anthony: I don’t remember this anywhere from the book with firing up through ice or whatever but it looked cool.

    Liz: It is so weird to me that we are actually seeing these battles take place.  I mean, obviously, from a filmmaking perspective, it would be incredibly boring if we just watched little blips on a screen…which is exactly how I always imagined it. So I’m curious how they are going to show battle footage while Ender is directing the war from afar…The Ansible is clearly much more powerful than I thought…

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    Crystal: Petra’s break-down has always really really bothered me because earlier in the book Graff says girls aren’t “built” for Battle School, which is why there are so few of them. And then Card has Petra be the one to break down. That’s always been a huge sore spot for me. I think with Hailee Steinfeld and the modern trend of super strong female characters, we won’t see Petra break down. I think they’ll either eliminate that or move it to another character. I really don’t think it matters who it is, but it would be rather sexist on screen if they left it as Petra.

    Dee: Commander Arkanian during one of the battles on Eros. Notice the writing on her screen – it says MD 580.65. I love the look of these screens, but I wonder how the kids are not completely confused by seeing both the actual battle all around them (including through their screens) and the information on their transparent screens.

    Anthony: They are geniuses after all. They are trained to look through the screen at the battle and then at the screen when they need to interact with it. The same way you can stand in front of a fence and look through it far away, then focus on the fence itself right in front of you.

    Liz: All of this build-up of Petra’s character makes me interested to know: will they still have her break down in those final days?  That part always pissed me off in the book.  Of course, it would be the only female who had to collapse from the stress.  But I wonder if they are going to keep that element in the movie.

    Anthony: They better keep that in the movie. Her breaking down is so important. it shows that they aren’t robots and how hard it all is. Also it is Bean that catches it and alerts Ender. It shows something Ender missed and that he isn’t perfect, and how important Bean is. There is a lot of meaning in that happening.

    Dee: Yeah, but I hope they have someone else break down, because to have it be Petra is sexist (yes, in the book too). That scene where Graff explains to Ender that women are weaker and softer by nature always drives me nuts, and then Petra is the one who breaks down first, proving Graff right. They are not robots, yes, and someone needs to break down, but I do hope they won’t make the only female in the group the weakest link.

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    Crystal: Where did that swarm come from?! I mean it looked like there weren’t any bugger ships and then suddenly they’re swarming everywhere! This battle looks really cool and I think it shows us people that have waited for years that the wait will have been worth it.

    Dee: The fabulous  ice battle. This image raises the question of whether the formics updated their ships as well. Because this one looks a lot different from those that invaded Earth. In addition, is this the little doctor at work?

    Anthony: First time using the little DR. Have to set up what it will do later but on the planet.

    Liz: You know, I suppose this could be a very long final battle sequence.  Perhaps they take out several surrounding planets before going for the homeworld.

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    Dee: Another interesting intonation choice. The way Anderson pronounces this – it’s not so much “wow, I’m surprised” than it is “wtf did he just do? That’s creepy.”

    Anthony: Another (Anderson) being amazed at what Ender can do!

    Liz: I have a very specific theory on where this scene takes place.  I don’t think that Anderson is commenting on anything that Ender has done in the Battle Room, but rather on what he has done in the Mind Game.  She is the school’s psychologist, after all.  I think that Ender has just gouged the Giant’s eye, or something else that is particularly violent or unusual.  He’s implemented his “strike first and strike hard” philosophy and it concerns her.

    Anthony: Excellent point Liz. I agree.

    Crystal: Great theory, Liz! I should also note that Graff is smiling in the background though, so it could also be a battle that he’s just won and he’s proud of Ender for the win.

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    “We should tell him the truth.”

    “Why?”

    Crystal: Make sure you all read my latest editorial on why I think the audience knowing what’s going on will make a more powerful movie! I really love this scene, but the nitpicker in me is really confused by the uniform color. Why is Graff in a sky blue here while Mazer stands there in a navy blue?!

    Dee:  … well, I could ask “why not”, but since I read the book, I have the answer to that. Also, I’m intrigued by the different attitudes Graff seems to display concerning Ender (also in the later scene where he is angry). He can’t seem to decide whether to allow himself to care or not to care.

    Liz: All of this has me wondering how much “truth” we as the audience are going to know…

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    Crystal: My guess is this is Ender standing in the corridor alone while Salamander battles without him. It’s that scene where Bonzo makes him wait four minutes.

    Dee: Badass Ender is badass.

    Liz: I believe that this is Ender’s initial defiance of Bonzo.  He is in Salamander Army, and is walking alone through the corridors to the Battle Room.  This makes me think that he has been left behind, or ordered to stay away, but decides to suit up and go anyways. I do believe he’s about to make that jump out into zero G and save the day.

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    Crystal: We talked to Khylin and Aramis about this and Khylin says one of them is him and the other is Petra. As for the armies, one looks for sure to be red to me, but I don’t know if it’s Rat or Leopard. Either way, I’m glad the scene is there!

    Dee: Dragon versus ?+? – there are two armies up against dragon. One has red helmets – Rat or Leopard? The other is green or blue – Salamander maybe? (UPDATE: According to Khylin Rhambo on EnderCast #26, the two dragons are Petra as the shooter and Dink as the shield.)

    Anthony: The battle room is huge! Petra/Dink??? Bean was supposed to be in that scene I thought? Too much Petra pushing in this movie. Uggh.

    Liz: I will admit, this wide-angle shot is pretty cool.  So if this is the battle with the wall of stars,  perhaps it’s the final battle against Griffin and Tiger?

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    “What does it matter if there’s nothing left at all?!”

    Crystal: This is a part of Graff I’ve always loved because despite his true feelings for Ender, he knows it must be done and this is what makes Graff so interesting. I’m guessing his character is how they even got Harrison Ford interested in the part, too!

    Dee: Whoa, hard-ass. But I assume he is so angry because it actually matters to him. He thinks he should be able to approach Ender’s training pragmatically and without any emotional considerations, but he ends up caring after all, and it makes him angry at himself.

    Anthony: Tough line but very good. What does it matter what happens to him if nothing is left.

    Liz: I’m glad that we’re going to get to see this interplay amongst the adults.  One of my favorite elements of the book was the opening “bold texts,” as I called them – the dialogue as they discussed Ender’s fate.

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    Crystal: I wasn’t all that happy with this brief glimpse or the line, but I do like Abigail’s voice. It really helps to highlight their youth. Her line makes me think that they’ve really changed the urgency of the “next invasion” to be a real threat rather than one cooked up by the IF to keep the war machine running.

    Dee: Meh – not yet sold on Valentine. I am not the greatest fan of her in the book to begin with, but I had hoped that Abigail Breslin would win me over. I still hope that in fact, but from the trailer alone … I have to say her plea sounds like a platitude, and it doesn’t move me at all.

    Liz: She speaks!  I’m glad that they are giving her at least part of her role.  I hope that she is more than just a minor reference character, someone who shows up when she is supposed to, but someone we haven’t really connected with. It’s going to be hard to make us care about their relationship when we will see so little of it!

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    Crystal: I’m glad this scene is here at all, but I don’t really know why. The lake is definitely a lot bigger than I’d imagined it. I pictured something much smaller with a house nearby.

    Dee: I love the lake scene. If the movie is as action-heavy as the trailer makes it look I’ll be glad for the respite – provided it retains its awesome dialog.  Not sure what Ender’s face is expressing here. Kind of a mix of caring and already being hardened? Can I say that I’m hoping for the wasp scene? Not only does it express that mix very well, it also is an awesome scene in terms of foreshadowing Ender’s actions against other insects later.

    Anthony: What will be referred to after the movie as the boring lake scene. Important, but the masses will say it is the slow part of the movie and RunPee will say this is the time to hit the restroom if needed.

    Liz: Haha, agreed, Anthony.

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    Crystal: I think this is the same battle as the one we just talked about, but I don’t actually see any soldiers around their gate, which is kind of confusing. I do love that you can now see Bean’s face. It was kind of weird that his helmet was black in the first one because the face plates are all clear. Aramis Knight told us he really did have to slam into that bar and that it really hurt, which accounts for that intense look on Bean’s face!

    Dee: Bean and the rope. Love this scene in the book, but the star formation makes it look like this is the same battle as before. Did this happen in the final battle against Tiger and Griffin? Or are they combining several Dragon battles into one awesome super battle?

    Anthony: Bean with the line on him that made them win that one battle.

    Liz: Let me know if my eyes are failing, but that really IS Bean in there, right?  I was worried that they were going to take away this scene of his and give it to Ender.  So I’m really glad that Bean gets to test the rope!

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    “I’ll do everything I can to win this war.”

    Crystal: I have to wonder what Ender is talking about to Alai when he says this or if it’s even from that exact scene. Either way, I hope we get clips of all of them later down the line. Character features, Summit?

    Dee: Ender and Alai – my favorite broship. I was so sad when Ender felt he had lost Alai. If this is the scene we have seen before in that blurry Comic Con picture, this conversation happens in their launchie quarters and thus very early in the movie. Interesting. I didn’t get the feeling that launchie Ender was quite so determined in the book, but then they ARE compressing the whole story into one year. Also: Has he been crying?

    Liz: This is nice.  I’m glad we’re going to have at least a few sort of “bonding” moments between Ender and his jeesh.  Haven’t seen much of them so far, and I hope they’re not reduced to cardboard characters.  I really wanted them to develop those relationships.

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    Dee: Love! When I first saw these I was like “wow, too much too fast”, but then I remembered that this is Ender and this is his improbable victory against a materially far superior fleet. I would not be able to keep track of everything here, but Ender can. And they are not dumbing it down for us lowly viewers of average intelligence.

    Anthony: My favorite parts of the trailer are these scenes with Ender controlling the simulation, or from the back, or all the commanding scenes. I think they feel so right for the story. I got most pumped over these scenes by far. Kudos to Asa for really pulling it off in these and he looks “in the zone” totally! I made one of these shots the cover for my Google+ and Facebook.

    Liz: Again, not quite what I imagined when I was reading the book.  First of all, Ender is isolated from his jeesh.  He only knows they’re there through voice comms.  I imagined simple tactical displays, not unlike our modern technology, with maybe a little futuristic flair.  But here they’ve gone all “Minority Report” on us, but it does look pretty cool.  It will have a much different dynamic, but I think be far more filmable, having them all in the same room at the same time.

    Crystal: We still haven’t released our set visit reports, but I will say we got to stand there. I can’t even begin to imagine what that must have been like for Asa to act out. It’s definitely way more big-boom than the book and I like the change because we will get to see them all find out the twist together.

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    Crystal: I admit to being wrong the first time around, thinking it was Sir Ben’s British accent. I can hear the Kiwi accent in his voice now! Scene-wise, I’m really really glad they’re showing this kind of stuff. We get none of this in the book and it’s cool to see Gavin’s own imagined scenes in the teacher “box”.

    Dee: Sorry, but all I see is the nose. That being said, Ben Kingsley is great as usual. Another flawless line delivery. Also, I’m happy that we have the teachers to comment on what Ender is doing, because as I said, I wouldn’t be able to tell from watching Ender do his thing.

    Liz: I like that we are going to get to watch teacher interplay during the final battle sequence.  This comment from Mazer (in a decent Maori  dialect) casts doubt on what Ender is doing, while Graff seems to realize that he has created a monster who can’t be stopped once he’s made up his mind.

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    Crystal: I wonder if Asa had to go to finger and arm acting school for this? 😉

    Dee: I’m not sure about Asa’s face here. On the one hand, on an adult it might look a bit overdone. On the other hand, he is a kid, and kids tend to pull faces when they are very focused and doing things that they are emotionally invested in. My judgement on whether this is too much or just right is still pending.

    Anthony: Another awesome commanding scene!

    Liz: Ender practicing his tai chi.  The battle’s like twelve hours long – can’t somebody get that boy a chair?    Again, I like what they’ve done with this design, to highlight Ender at the true “center” of everything, whose crew surrounds and supports him, as he conducts from on high.  Should be a visual explosion.

    Anthony: Is it November yet?????

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    Crystal: I think this is from the final battle and the little things on the outside are either part of metal shield or smaller ships in formation. This tells me that the “spoiler” people complain about–the firing on the planet–is not what we think it is. There’s no way they can destroy a planet from that far away and if they could, this scene right here wouldn’t be necessary.

    Dee: Just before this, Mazer says: “He is abandoning his entire fleet.” So what are we seeing here? The formic ships are all around, but the center swarm is at least partially made up of little silver things – maybe the same ones we see later around the bigger Earth carrier ships. So is this weapon’s fire inside a swarm of little Earth thingies? Is someone going Kamikaze?

    Anthony: I think this scene is the DR device blowing up a bunch of ships too close together the way it is supposed to. I don’t however think it has anything to do with him abandoning his fleet though. i don’t recall him doing that. If he does as a tactic in some way then that might be it, but I think this is two separate things they stitched together for the trailer.

    Liz: Yeah, not sure on this one.  Perhaps a ton of individual human fighters protecting the carrier that’s going to launch Dr. Device?

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    “He’s in command, there’s no stopping him now.”

    Crystal: This line, the look on his face, love it! It sounds as if they’re regretting all the loss he’s causing and at this point Graff is probably wondering if he was wrong and Mazer was right. Maybe they should have told Ender the truth. But we all know that would have sadly hindered Ender greatly.

    Dee: Horror, admiration, incredulity. Graff’s line here is totally quotable. YES! – In fact, this trailer is full of quotables. “Shoot straight, stay calm, here we go” is another favorite.

    Anthony: Is this where he says he is in command now? If so then it shows how right they were about him acting differently and the reason for him. He is different and sees things different and which is why they are so unnerved by what he is doing. They cannot see it like he does.

    Liz: Oh, I so hope that Harrison Ford pulls this off.  I know there’s been a lot of talk about how sometimes it seems like he’s phoning it in.  Don’t let it be so!

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    Crystal: I think all the orange lights are from buggers trying to stop them, not from the Dr. Device. You notice they have orange lights in the Great Invasion footage, so this has to be Formic. We’re the blue!

    Dee: MD, all in.  I had imagined the final destruction to be different. Not explosions, more like a shockwave in which everything just dissolves into dust. But this probably looks cooler on screen.

    Anthony: Giving away the ending. 🙁  Then again it is only a spoiler to those that read the book. Others wont know they are being spoiled.

    Liz: Yeah, sacrificing our ships to protect the MD Device.

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    Crystal: I thought this part of the trailer was particularly well done. The way the camera moves down and the ships come better into focus. I love it all! And since they’re still behind the asteroid field, I really don’t think his countdown is for the planet. 🙂

    Dee: Conductor Ender striking a dramatic pose. “In Three – Two – One -NOW!” As far as I remember, Ender didn’t seem too enthusiastic on Eros – determined, yes, but not exactly passionate. But this countdown has a pretty high coolness-factor. I guess to work for movie audiences it wouldn’t have been enough to show a depressed little boy whispering orders.

    Anthony: My current cover image for Facebook and Google+  🙂

    Liz: Violins! Cellos!  Bring in the percussion…now!!!

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    Crystal: Someone give that poor kid in the back right a cup of coffee, he looks like he needs it badly. As for Mazer and Graff, love the looks on their faces. They’re a good combo of scared and hopeful, waiting on the edge of their seats!

    Dee: Did you notice? Graff’s aide is in this shot, played by actor Han Soto, and his name tag reads … SOTO!  Why complicate things, eh?

    Anthony: Showing the seriousness of the situation I guess?

    Liz: I like these shots.  Again, curious how they’re going to pull of this ending.  If the audience knows, where’s the suspense?  In the fact that Ender doesn’t know.  But they have to be careful to not make Ender look stupid here…I mean, if the whole IF Command showed up for your final examination (and looked like this while you were taking your test) wouldn’t you be a little suspicious?

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    Crystal: I’m really confused. You can see the backs of ships on the other ships around them, but this one looks totally different and it looks like a front view and those are two guns. Unless this is a very close up look at one of the individual ships we see in the “shield” formation around the other ships?

    Dee: The Earth fleet has an interesting look. Not pretty, but rather functional, and not too sleek for the not-so-far future. Plus, it makes a nice contrast to the more organic-looking formic fleet. What are those blankets in front of the bigger ships? Shields? Drones? One-man fighters protecting bigger carriers?

    Liz: That’s a lot of ships…Each of the large battleships surrounded by individual fighters…I didn’t imagine us having such a formidable fleet…

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    Dee: Is this the MD device, or are we just assuming it is?

    Anthony: In the book he kind of remotely pilots the DR device in for the ending. Here it looks like it is a laser blast of some kind. Another big change. Also the screaming of NOW is obviously added for cinema effect (and well done)  but who is he telling now to fire the final last? Bean? Probably Petra the way they are pushing her in this film. I would think that would be something he would do himself (but then why yell NOW?)

    Liz: Maybe it’s a final coordinated effort sort of “Now!”  Maybe there are multiple pieces moving at once to make this happen, which culminates in the firing of the Device.

    Crystal: With the asteroid field there I’m not convinced this is the Doctor Device firing. In the book Ender commands the ships to drop to the surface and concentrate their devices that way, but this looks like it’s from literally a million miles away. I think they’re just firing at the ship we talked about earlier.

    And that’s it for our trailer breakdown! Hopefully at least one of you reads everything we wrote! 😉

    We’re now 80 days from the movie!

     

  • Evaluating the Potential Impact of ‘Ender’s Game’ on Movie Audiences

    Evaluating the Potential Impact of ‘Ender’s Game’ on Movie Audiences

    Trailer2-HR0676

    Now that the final trailer for Ender’s Game has been released, armchair critics around the world are typing out their opinions on “the nets” with comments ranging from a simple, “SPOILERS” to “this movie looks amazing” to “this movie looks awful”.

    Spoiler

    For book fans, a common kneejerk reaction to the new trailer is the complaint that it’s made pretty clear that the major “twist” of the Ender’s Game book–that it’s all really happening–is not preserved for movie audiences. And yet, I’m sure we all can eventually realize that as long as the truth is hidden from Ender, the heart of the story is intact.

    When I first saw the trailer at Comic Con, I tweeted about this audience perspective topic because it somehow surprised me. Since I think a lot about this movie adaptation, I’d known for a really long time that it was possible they’d open this part of the story up, but seeing it on the screen was still a bit of a shock. Now that I’ve actually had the chance to watch the trailer as many times as I’d like, the dust has settled and I’ve come to realize the amazing potential of such a decision by the filmmakers.

    The most important thing to realize right from the start is that Ender’s Game is a film adaptation. A book is a book and a movie is a movie. I know we book fanatics can sometimes be so stuck to the pages of a novel that we can’t see the painfully obvious–that impactful scenes in books can translate into awfully dull scenes in movies.

    Mind you, this is not a criticism of Card’s book. I obviously wouldn’t have started this site and invested so much into it if I didn’t truly love the book he wrote. They’re simply different mediums. Let’s look at Eros. The environment Card put Ender in worked exceptionally well for an individual holed up somewhere with their nose in a book because let’s face it, we all read alone.

    We feel isolated in some way when we sink into the world of a story and that’s probably part of the reason why we felt a kind of relationship with Ender Wiggin. You felt alone with Ender Wiggin in that isolated simulator room with Mazer Rackham breathing over his (and your) shoulders. You can immerse yourself into his situation and for some people this creates tunnel vision, which is what makes the final reveal of the twist so jarring.

    Movies, however, are an entirely different experience. Rather than relying on imagination, movies depend entirely on visual appeal, sound effects, and performances. Movies must also present a much broader picture in much less time, which becomes a crutch for telling such a complex story as Ender’s.

    The reason so many of us are so attached to the story of Ender is that it made us think. After it was over, there was so much to talk about and contemplate regarding morals and ethics, which is probably why it’s taught in so many schools.

    Books have the luxury of having pages and pages to explain the complexities of plot, but to preserve his twist, Card doesn’t actually do this during Ender’s “gaming”. He left the explanations for the post-war section of the book. The movie could do the same, but the flow would be interrupted because people would have to think back to what he did. With prior knowledge of what the teachers are hiding from Ender, audiences are set up for a bigger emotional investment for when Ender finally learns the truth.  This isn’t The Sixth Sense, nor does it have to be.

    Trailer2-HR0793

    Revealing the real “game” the teachers are playing also gives us a much better look into the characters of Graff and Mazer, who are, let’s face it, marquis players in this movie’s cast. Hiding it actually seems like wasted potential for the film. By expanding upon the teachers’ moral dilemma over Ender, their characters become more complex and therefore more interesting rather than being straightforward domineering superiors.

    We’ve seen only a few seconds of Graff in the trailers and a lot of it could be taken out of context, but I’m liking what I’m seeing so far. One of our readers on Facebook said that he doesn’t like how they’ve been portraying Graff, that he’s much too hardass and not the Graff he loves. I have to respectfully disagree because the brief glimpses of Graff that I’ve seen are to me true to the heart of his character.

    While the book-Graff we know clearly cares for Ender, what has always made him compelling is the fact that he knows enough about what’s at stake and sets his sights on the end goal, which is the safety of the human race. He is the cornerstone for the conversations people have about this story. Do the ends justify the means? Is what they did to one boy “excusable” in order to save billions? And while Graff in the trailer does sound cold and jaded, this is the steely determined Graff that molds Ender into who he is. Without his drive, Ender may not have succeeded.

    The conflicts between Graff/Mazer and Graff/Anderson would serve to highlight these issues and with audiences aware of the true nature of the destruction that Ender is causing, it ultimately makes for a much more powerful finale. In short, the emotional impact of the movie shouldn’t be that you didn’t realize what was going on. The impact should be with Ender’s realization that what you’ve just watched with the same horror as Graff and Mazer was, in fact, not a game.

    "He's in command, there's no stopping him now."
    “He’s in command, there’s no stopping him now.”

    Regarding the complaint that the trailer shows the movie’s twist, it’s really all in how you look at it. There technically is no audience twist like with the book. Instead, there’s only Ender’s twist. With the look on Graff’s face, you can imagine all his fears, his hopes, his regrets, and his sorrow. He looks as though in this moment, he finally realizes the scope of the “weapon” he’s created in Ender. And yet, the true horror he has to face is yet to come when he has to face Ender and tell him the truth. This will be the movie’s heart. And it’s not in the trailer.

    I could be wrong. Perhaps the trailer has been very cleverly edited and I only think I know what they’re saying because I’ve read the book. But movies have a different level of power when it comes to evoking emotion. Gavin Hood has talked about putting pages of thinking and emotion into a single look on screen and I think that’s indicative of his own awareness of the importance of the ending.

    Last December, I wrote a piece in which I talked about what Ender’s Game ultimately needs to accomplish. I said that what mattered most was that audiences realize what they’ve done to Ender and I think at that time, I thought that it rested solely on Asa Butterfield’s performance immediately following the final battle.

    I can see now that the setup for that scene will be a key factor in making that performance truly successful. With that setup, his performance would be given so much more weight. And so, I want audiences to know. I want audiences to feel and despair over Ender’s actions so that when he’s finally aware, every little part of that scene clicks into place. To make people feel what I and so many of you felt when we first journeyed with Ender Wiggin would be an amazing accomplishment and a rounding success for Gavin Hood and his cast and crew.

  • Why Supporting ‘Ender’s Game’ Isn’t Completely Awful

    Why Supporting ‘Ender’s Game’ Isn’t Completely Awful

    EW-Card

    The internet is buzzing about Ender’s Game and it’s not in a good way. Skip Ender’s Game recently began a media push to encourage people to host events for their movement to negatively influence the box office success for the upcoming film adaptation. After the Huffington Post ran a story on their campaign, news outlets began to pick it up and the story spread like wildfire.

    It’s not an issue that’s new to Ender’s Game fansite owners. I’ve been dreading days like today for years. The issue is one I think about constantly. Back in February I wrote an opinion piece about the controversy. Kelly and I dedicated an entire episode of EnderCast to discussing Card’s views on gay marriage and the effect it could have on the film and everyone involved.

    What truly bothers me is that the cast and crew of the film are being forced to bear the burden of Card’s words and actions, which is definitely something that I hold against the author. The bulk of the cast is made up of child actors ranging in age from 12 to 19. They’re in essence being found guilty by association and suffering the consequences of a constant stream of negativity of what is no doubt the pride and joy of many of their careers.

    Today, in response to the boycott of the film, Card issued a statement to Entertainment Weekly:

    Ender’s Game is set more than a century in the future and has nothing to do with political issues that did not exist when the book was written in 1984.

    With the recent Supreme Court ruling, the gay marriage issue becomes moot.  The Full Faith and Credit clause of the Constitution will, sooner or later, give legal force in every state to any marriage contract recognized by any other state.

    Now it will be interesting to see whether the victorious proponents of gay marriage will show tolerance toward those who disagreed with them when the issue was still in dispute.

    Orson Scott Card

    To those curious, I personally am a supporter of gay marriage, which is probably why I think about this issue so much. I constantly feel torn in two different directions. And yes, I have read his anti-gay marriage and anti-government op-ed pieces. I’ve read the Salon.com article. I know he’s on the board of NOM.

    I understand why Card is such an easy target. He’s painted a big fat bullseye on his forehead on more than one occasion. However, I don’t think that the right way to deal with his opinions and actions is with further hate. On the Entertainment Weekly article, someone casually commented that someone needs to assault Orson Scott Card, with a description I’m not even going to repeat here. Comments like that are disgusting, disheartening, and downright depressing and all people are doing with words such as those is sinking down to the very level they condemn.

    Even though I don’t agree with it, I can respect what Skip Ender’s Game is doing, provided they go about it in a peaceful manner and allow the supporters of the movie the same respect to their own opinions. I don’t know what Geeks Out intends for people to do at their events, but there’s nothing I’d want to say against a peaceful boycott.

    And yet, what exactly are people boycotting besides Orson Scott Card?

    "He's clean. Right to the heart, he's good."
    “He’s clean. Right to the heart, he’s good.”

    They’re boycotting a young boy who is so good inside that he can find it in him to love anyone, even his mortal enemies. A boy who is astonishingly bright, a natural leader, and a savior of Earth who has everything dear to him taken away for the greater good of mankind. He is selfless. He is kind. He is a child.

    If you haven’t read the book, have I piqued your interest? You don’t have to put money in Card’s pockets to read it. Visit a local library. Borrow it from a friend. You can even read the first five chapters of the book online for free.

    My point is, the book is not the author, and you should find out for yourself who Ender Wiggin really is before you skip him because he’s one of the most compassionate and inherently good characters I’ve ever encountered in decades of reading books. Considering the world we live in, I ultimately think it’s more important for people to meet characters like Ender than it is to boycott the movie.

    In short, in my humble opinion, the world we live in could certainly use more Enders.

  • About That Trailer Ending…

    About That Trailer Ending…

    Spoiler
    Boy, what a day. My head hurts, I still feel like I have earbuds jammed into my ears, and my back is killing me, but what a fantastic day it was anyway!

    So now that we’ve all seen it and people are reacting, one of the most common complaints I’ve seen online is that Summit did that dastardly thing us moviegoers hate so much: they ruined the ending of the movie.

    Match to the planet. Boom boom!
    Match to the planet. Boom boom!

    I’ll be honest, this was my initial kneejerk reaction too. Why did they reveal that? Why blow up the climax right now? And then I came to my senses.

    The only reason anyone thinks this is a spoiler is because you’ve read the book. When you think about it, there’s really nothing in that scene to indicate that Ender knows exactly what he’s doing.

    In the book, Ender is using what he is told is a very sophisticated simulator. He revels in its controls and excels in commanding his soldiers to do what he feels must be done to beat his enemy. And as we all know, to Ender, his enemies in these “simulations” aren’t the buggers on the screen. It’s Mazer. It’s Graff. It’s the teachers.

    In the very first interview we got with Gavin Hood way back in December when the first still came out, he was asked about the ending by Grady Smith of Entertainment Weekly:

    To that end, the director promises that the book’s dark ending (which I won’t spoil here) has remained fully in tact. “That ending — and the complex moral questions that it raises — is one of the reasons why I love the book, ” says Hood. “I promise you that it is very much there.”

    Ender-NowI remain confident that the trailer is in fact spoiler free. The only reason it appears to be a spoiler is because we know what it really means.

    That doesn’t mean that after that explosion, Ender doesn’t then turn to see a crowd of cheering military brass and then learns that his worst nightmares have come to pass.

    As much as I love the character of Ender, I think we’ll still have to see see the pain he suffers as a result of that intense last command.

    Anyone going around ranting to people about how the ending spoils the movie is… actually spoiling the movie. So stop it already!

  • Can ‘Ender’s Game’ Succeed Without Its Author?

    Can ‘Ender’s Game’ Succeed Without Its Author?

    Ender-Petra-Battle-School-Mess-Hall

    Although it’s been an exciting week for me as a fansite admin who got to release some extremely cool exclusive content for the Ender’s Game movie, the timing of the release is admittedly a bit unfortunate.

    To explain, a couple of weeks ago, DC Comics announced that Orson Scott Card would be writing a chapter in an upcoming Superman anthology. Petitions flared up online and, as it has in the past, discussion after discussion emerged about his very vocal opposition to gay marriage.

    As the owner of this site, I can’t deny that the subject of Orson Scott Card’s vendetta against homosexuality makes me feel all kinds of things. Awkwardness. Embarrassment.

    Shame.

    So why do I still do what I do? To be honest, I do it for my fellow fans. I know that people out there love Ender just as much as I do and fansites serve a very special purpose: being a specialized resource for a niche topic. A gathering place for you to nerd out over a story that resonated through you enough to make you truly feel.

    I became a fan of Ender’s Game in maybe 1991 or 1992. At that time my family had no internet and so all I knew about the author was from those little bios in the backs of books that 12 year-olds pretty much never read. In short, I knew nothing but his name and hometown and therefore freely fell in love with the story of Ender and his journey through Battle School. It was at least a decade before I began to hear about his personal views and I found it so confusing. The Ender books seemed so compassionate and loving, even towards a fictional species that humanity had been taught to fear and despise.

    It’s become a trend at this point that anytime something from the Ender’s Game movie is released, comments are either riddled with or overwhelmed by talk of boycotts and sometimes disgust for the movie. I understand the people who say they refuse to buy a ticket because that’s their choice, but I worry about direct protestations against the film and the actors later down the line.

    It’s worrisome because I can’t seem to shake my connection to Ender and his story and it troubles me to see people taking the flamethrower aimed at Card and pointing it at Ender instead. Will people eventually turn on Asa Butterfield, Hailee Steinfeld, and Aramis Knight? The thought of protesters shouting at Asa Butterfield brings to mind an eerie parallel to what might have happened upon Ender’s homecoming post-war.

    Card has said that he hasn’t even read the movie’s script, so it’s not as if he’s been hovering over the movie’s production. So will the hard work of hundreds be wasted because of the man who created the story the movie is based on?

    The Hollywood Reporter recently published a piece on the controversy building around the film, talking to some studio executives for input.

    “I don’t think you take him to any fanboy event,” says one studio executive. “This will definitely take away from their creative and their property.”  Another executive sums up the general consensus: “Keep him out of the limelight as much as possible.”

    Ender’s insiders already are distancing themselves from the 61-year-old author. “Orson’s politics are not reflective of the moviemakers,” says one person involved in the film. “We’re adapting a work, not a person. The work will stand on its own.”

    Author involvement in marketing seems to be an emerging trend now with the hyper popularity of social media, which can make one wonder if author involvement is now an essential part of the marketing engine of a film or TV series.

    JK Rowling was fairly accessible throughout the decade of Harry Potter films. George R. R. Martin announced official Game of Thrones casting choices on his Livejournal. Cassandra Clare, author of the Mortal Instruments series is very active online, teasing her book fans with tidbits and teases from the movie. Fans of the newly released Beautiful Creatures could follow author Kami Garcia around the world as she attended events for the movie. Hugh Howey maintains a regular blog and vlog, which likely won’t change if Ridley Scott goes into production for Wool. Do I even need to mention Twilight author Stephenie Meyer? It’s no secret that author involvement drives fans wild with glee.

    So with that in mind, can a film succeed without its author around to help promote their book’s movie adaptation? Of course it can.

    The Lord of the Rings movies probably made enough money to buy a country and build a Middle Earth set to scale and Tolkien was long dead. Hunger Games author Suzanne Collins is so private she did one interview with Entertainment Weekly, published a letter reviewing the film, and attended the premiere yet did zero interviews. The movie brought in close to $700M worldwide and sold 3.8M DVDs in its first weekend.

    However, intentionally keeping Card out of the movie’s marketing limelight will be more awkward than a simple shift of focus to the actors. San Diego Comic Con is fast approaching and with a new Enderverse book being released just a month prior, the odds are good that Card will be in attendance, just as he was last year. His co-author Aaron Johnston has already said he’s going. So it might look terribly odd that the movie’s author is at the Con, probably sitting in Hall H, yet not sitting on the panel. Later this year, will he walk the red carpet at the premiere or just go straight into the theater? Or will Summit just give him his own private viewing?

    That might be what needs to happen to ensure that none of the anger directed at Card bleeds over to the cast. The kids worked their butts off and with the exception of Asa, Hailee, and Moises, this is their biggest role yet. For many of them, it’s their first feature film. And while I’d admire teenagers who can handle intense negative publicity indirectly pointed at them, I don’t think any of the cast should be made to feel ashamed of being in Ender’s Game. It’s their time to shine and they deserve praise and recognition.

    What it boils down to is that given the way the film’s digital media has thus far never failed to attract the attention of those wanting to shout down the movie, I agree that they’ll need to keep him out of the limelight as much as they can. Hopefully in the end, despite the inevitable guilt by association, Summit can channel some Ender Wiggin and lead their movie to a box office haul worthy of Dragon Army.

    The above is an opinion piece and the views expressed are my own. I am not associated with Summit Entertainment or Lionsgate.

  • Lots of Love from ‘Ender’s Game’

    Lots of Love from ‘Ender’s Game’

    EWVal

    It’s Valentine’s Day today and I’d like to wish all you fellow fans out there a day full of love and happiness! Did you know that Ender’s Game is a book full of love?

    The word ‘love’, I mean. There are a grand total of 66 instances in Ender’s Game where the word love is used in some form, although it’s not always in a positive way.

    Here’s a list of all of the uses of the word love in the book:

    1. “Hey, Third, we’re talkin to you, Third, hey bugger-lover, we’re talkin to you.”
    2. “You can make yourselves sound like pathetic, cute little children so we’ll love you and be nice to you. But it doesn’t work. I can see you for what you really are.”
    3. “Ender, I’m sorry, I’m sorry, I know how it feels, I’m sorry, I’m your brother, I love you.”
    4. “The sister is our weak link. He really loves her.”
    5. “You’ll still love her, Ender, but you won’t know her.”
    6. “They do love you, Ender. But you have to understand what your life has cost them.”
    7. “So my parents love me and don’t love me?” (2)
    8. “They love you. The question is whether they want you here.”
    9. “Valentine loves me.”
    10. “I love you, Andrew!” Mother called.
    11. “Come back to me! I love you forever!”
    12. “So? What will you do about it? Crawl into a corner? Start kissing their little backsides so they’ll love you again?”
    13. His accent made him exotic and interesting; his broken arm made him a martyr; his sadism made him a natural focus for all those who loved pain in others.
    14. I LOVE YOUR BUTT. LET ME KISS IT. —BERNARD
    15. “Let’s go get Bernard and Shen and freeze these bugger-lovers.”
    16. Ender had never spoken of that to anyone, not even to Mother, but had kept it as a memory of holiness, of how his mother loved him when she thought that no one, not even he, could see or hear.
    17. “Major Anderson, I know I’m wrecking the game, and I know you love it better than any of the boys who play. Hate me if you like, but don’t stop me.”
    18. Dink smiled crookedly. “Because I can’t give up the game.” He tugged at the fabric of his flash suit, which lay on the bunk beside him. “Because I love this.”
    19. “A model student,” said his teachers. “I wish we had a hundred others in the school just like him. Studies all the time, turns in all his work on time. He loves to learn.”
    20. Valentine knew it was a fraud. Peter loved to learn, all right, but the teachers hadn’t taught him anything, ever.
    21. Valentine leaned against the trunk of the pine tree, her little fire a few smoldering ashes. “I love you, too, Peter.”
    22. “I didn’t hate you. I loved you both, I just had to be—had to have control, do you understand that?”
    23. “I don’t believe what you did to those squirrels was part of an act. I think you did it because you love to do it.”
    24. It was possible, wasn’t it, that he loved her, and that in this time of terrifying opportunity he was willing to weaken himself before her in order to win her love. (2)
    25. Because if it were true, even partly true, then Peter was not a monster, and so she could satisfy her Peter-like love of power without fear of becoming monstrous herself.
    26. “I’m trying to solve this problem now, with the person Ender loves and trusts most in the world, perhaps the only person he loves and trusts at all.” (2)
    27. The only person Ender loves and trusts at all. She felt a deep stab of pain, of regret, of shame that now it was Peter she was close to, Peter who was the center of her life.
    28. ALL MY LOVE TURKEY LIPS, VAL
    29. The one real thing, the one precious real thing was his memory of Valentine, the person who loved him before he ever played a game, who loved him whether there was a bugger war or not, and they had taken her and put her on their side. (2)
    30. Dink was right, they were the enemy, they loved nothing and cared for nothing and he was not going to do what they wanted, he was damn well not going to do anything for them.
    31. “And what do you want, love and kisses?”
    32. “He would love to see you now, come to fight a naked boy in a shower, smaller than you, and you brought six friends. He would say, Oh, what honor.”
    33. Ah, thought Ender, he loves to have someone recognize that he is the one in control, that he has power.
    34. “If you touch him you’re a buggerlover!” cried Dink.
    35. Peter loved it when Father did that—”See, it shows that the common man is paying attention”—but it made Valentine feel humiliated for Father.
    36. “And you love it that you got that before I did.”
    37. It was a lovely bite at the party in power, and she got a lot of good mail about it.
    38. “I was afraid that I’d still love you.”
    39. “In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him. I think it’s impossible to really understand somebody, what they want, what they believe, and not love them the way they love themselves. And then, in that very moment when I love them—” (4)
    40. “Look him in the eye when all the world loves and reveres you. That’ll be defeat in his eyes, Ender. That’s how you win.”
    41. “I want him to love me.”
    42. She had no answer. As far as she knew, Peter didn’t love anybody.
    43. When they got to the shore, she climbed onto the dock and said, “I love you, Ender. More than ever. No matter what you decide.”
    44. With all your hurry, that’s why you took three months, to make me love Earth. Well, it worked.
    45. Valentine, who still loved Ender no matter what happened.
    46. The same voice that he would do anything to keep alive, even return to school, even leave Earth behind again for another four or forty or four thousand years. Even if she loved Peter more.
    47. I was cut off from all the people that I loved, everything I knew, living in this alien catacomb and forced to do nothing of importance but teach student after student, each one so hopeful, each one, ultimately, a weakling, a failure.
    48. “I can’t bear to see what this is doing to him.” And the other voice answered, “I know. I love him too.”
    49. All dreams. If there was love or pity for him, it was only in his dreams.
    50. Take me home, he said silently to Graff. In my dream you said you loved me. Take me home.
    51. So much compassion that he could win the love of his underlings and work with them like a perfect machine, as perfect as the buggers.
    52. Whatever they may feel about other people, Ender, they love you.
    53. And we can take with us what their worlds have never known—cities full of people who live private, individual lives, who love and hate each other for their own reasons.
    54. The best you can do is choose to fill the roles given you by good people, by people who love you.
    55. I came because I’ve spent my whole life in the company of the brother that I hated. Now I want a chance to know the brother that I love, before it’s too late, before we’re not children anymore.”
    56. They knew him now, and he had won their love and their respect.
    57. There were crimes and quarrels, alongside kindness and cooperation; there were people who loved each other and people who did not; it was a human world.
    58. This was a new thing in the world, two queens that loved and helped each other instead of battling, and together they were stronger than any other hive.
    59. They began to live by it as best they could, and when their loved ones died, a believer would arise beside the grave to be the Speaker for the Dead, and say what the dead one would have said, but with full candor, hiding no faults and pretending no virtues.

    Source: Kindle Edition of Ender’s Game

  • What ‘Ender’s Game’ Must Ultimately Accomplish

    What ‘Ender’s Game’ Must Ultimately Accomplish

    Warning: This editorial contains MAJOR book spoilers for Ender’s Game.

    Ender's Game 2013

    As we head into 2013 and move closer to Ender’s Game, I want to address what I think the Ender’s Game movie will need to do in order to be a success in the eyes of faithful book fans.

    I should note that I’m not talking about box office success. I’ve been an admin for Mockingjay.net, one the oldest and largest Hunger Games fansites out there, for a year and a half and what I have learned is that when you stalk a movie’s production and marketing, somewhere along the way you form expectations. You form a list of which scenes you assume are impossible to cut. And while the movie can rake in piles and piles of cash, it can still leave its book fans feeling somewhat lost and empty.

    To give some perspective, I began working for Mockingjay.net in June 2011. For close to a year, I knew every bit of news that came out about the movie. I talked the movie to death with other fansites on a weekly podcast and daily on Skype. We analyzed every still, every frame of every trailer, and prepared ourselves for its release in March.

    We were invited to the world premiere at the Nokia and got to watch the movie with the cast, crew, and hundreds of other fans. But when the lights came on after it was over, and everyone around me was gushing, I felt slightly sick. I was so disappointed. Since then, I’ve gone through a roller coaster of opinions and now months later, I feel it was a decent film adaptation, but ultimately feel the true heart of the book didn’t make it. But back then, everyone was so fixated on the joy of how big the movie was becoming that it felt wrong to be disappointed. When I finally did feel brave enough to voice my discontent, I found that tons of other fans felt exactly the same way.

    Ender’s Game has always held a special place in my book heart. The little boy who lost his childhood in order to save the world made me feel so many things when I was a teenager. Sympathy. Heartache. Pride. Love. Loss.

    I’ve talked extensively on this site about the obvious changes to Ender. He’s now 10-12 instead of 6-10. I’ve had a long time to come to terms with this change, which is probably why you’ll find so many of my editorials in support of his “new” age. The set visit that Summit treated the fansites to in May made us aware of yet another glaring change, one that I have become increasingly wary of because I think it has the potential to alienate a lot of book fans if it isn’t pulled off perfectly.

    We have to expect changes. Big ones and small ones. We have to expect omissions and new scenes as well. This is a film adaptation, so a large percentage of the book will be cut out. For instance, from looking at the casting list, there’s no Shen. Hot Soup isn’t listed either. I think most people would agree that there’s probably little to no room for Locke and Demosthenes.

    Ender-GraffWhat Asa Butterfield and Gavin Hood have to do is get the audience to love him. Despite Stilson, Bernard, and Bonzo. People have to be able to love Ender. And yet that’s just part of the ultimate goal. Yes, we need stunning graphics, exciting Battle Room scenes, perfect chemistry between Ender’s friends, a kickass score, and great performances as well, but in the end I think it comes down to preserving the hidden truth about the final battle.

    If you think about the ending and Ender’s final test, it seems rather difficult to hide the twist from both the audience and from Ender, but I think this is the only way they can capture the heart of the book on screen. That grand deception is what serves as the platform for our overwhelming sympathy and love for Ender. A genius made into a weapon. A child tricked into the worst act imaginable. A boy made into a monster.

    Going back to The Hunger Games, to me the heart of the book rested in the last quarter of the book. An emotionally and mentally broken Katniss Everdeen just barely holding it together. And what came out in the theater was a tough girl shrugging off the horrors of the Arena and almost casually dismissing everything that had happened. She was a heroine and that was what director Gary Ross wanted to accomplish. But the Katniss that mattered didn’t emerge and as a result, moviegoers who hadn’t read the book lost out on all that emotion and never really got to see what is truly the heart of that story.

    There’s no doubt people fell in love with Jennifer Lawrence as Katniss. It was hard not to. But her Katniss was only part of book-Katniss. She needed the right scenes to truly bring the full potential of movie-Katniss out. And in the end, whether by editing or by writing, audiences never got to see that Katniss. In the book, you couldn’t help but wonder at how young and vulnerable she was and think, “Look at what they did to her.” In the movie, it was as if she could take down the world all by herself.

    Asa Butterfield’s Ender will need the right scenes as well. I have no doubt he’ll be able to play a great Ender, but without that last scene in which he finally becomes aware of what they’ve tricked him into doing, the book’s heart is lost. You have to be able to see that look of betrayal in Ender’s eyes. You have to see his pain and think, “Look at what they did to him.”

    If they can accomplish that and place all the other little pieces that make a movie great all around it, they’ll have succeeded in my eyes and hopefully for all other book fans as well.

  • Pondering the Fate of Stilson

    Pondering the Fate of Stilson

    Warning: This editorial contains MAJOR spoilers for the book Ender’s Game.

    In the twenty or so years since I first read Ender’s Game, I’ve probably read the book around four additional times. Each time, I found myself marveling at the story and loving the way it was written, how it progressed, and what happened to the characters. It’s always remained a favorite of mine as the years went by. Yet the one thing in the entire book that’s never really sat well with me was what happened to Stilson.

    Caleb Thaggard
    Caleb Thaggard

    The bully that torments Ender in the first chapter and eventually pays the ultimate price is very likely to be in the film. Stilson was first going to be played by the young actor Brendan Meyer. He even reported to the set in New Orleans and hung out with the cast.

    At the last minute, a scheduling conflict required him to step down from the role, and in his place came Caleb Thaggard, an actor who bore an odd resemblance to actor Jimmy Jax Pinchak (Peter Wiggin), another tormentor of Ender. Once Thaggard stepped in, I began to wonder if they’d decided to change the script slightly because Thaggard looked decidedly bigger than Meyer, and with Asa Butterfield looking so slender, was it even going to be believable that Stilson was dead?

    Which leads me to the big question: Does Stilson really have to die in the film adaptation? I posed this question to the EnderWiggin.net fans on Facebook and 100% of the answers came back with a resounding YES. Everyone who answered felt that Stilson’s death was completely necessary for Ender’s character building to become the leader he did and eventually led to him wiping out the Formics.

    But I’m still not convinced of this. We never learn about Stilson’s death until the end of the book during Graff’s trial, and it’s safe to say that Ender never learns it until then either. So how does Stilson’s death play at all into Ender’s leadership building up until his final battle? It doesn’t, really. It was enough that Ender knew he’d beaten Stilson to a bloody pulp for him to feel deep remorse about it, and this was when he was six years old. It’s likely that due to both his heightened intelligence and the actions of his brother, Peter, Ender developed a moral compass much earlier than most children, and the incident with Stilson was enough to strengthen his character.

    Some people argued that Stilson’s death played a huge role in the sequels, haunting Ender for the rest of his days. This is something I completely agree with, but the thing about that is we’re not really sure they’ll make Speaker for the Dead, Xenocide, and Children of the Mind movies right after Ender’s Game. In fact, I think it’s highly unlikely they will because those books would require a completely new cast and frankly are a bit too politically and morally centric to fit in with a franchise starting with the more action-filled and young-adult-targeted Ender’s Game. I do feel they could eventually be made, but other movies keeping the young cast would be likely to come first, and in the process, a lot more weight could be added to Ender’s load of guilt that would make up for a change in the fate of Stilson.

    One of the biggest reasons I thought Orson Scott Card and Ender shouldn’t have killed Stilson was because Ender was six at the time. I can see why he withheld that bit of information until the end because the thought of Ender being a murderer at age six is a pretty repulsive thing. Reveal that at the start and people would have had a hard time falling in love with the character.

    The same can go for movie Ender. Given their difference in stature, is Ender going to take a 2×4 to Stilson’s head in the movie? Or has he taken self-defense classes on Earth and is already a deadly weapon? In this case, how will Gavin Hood prevent people from recoiling from the main character if he goes so far with Stilson at the start? Sure, we all had a laugh when Peter Parker punched Flash down the hallway and got food spilled onto his face, but Peter Parker never killed his bully to make a point.

    Which brings me to another concern. With the influence of media on today’s youth, is it even wise to have Ender kill his tormentor from school? School bullying is an increasingly large problem in schools, and I’m sure it’s at least part of the conversation that the studio could end up sending the wrong message about how to go about solving one’s problems with a bully in school.

    The Dark Knight Rises theater shooting was horrific and cast a huge cloud of gloom onto the movie. We all looked in horror at what he’d done and probably thought to ourselves, “How could he do that? It’s just a movie!” To the vast majority of us, it is just a movie. But to that one kid out there who’s just been pushed a little bit too far, watching something like this in a movie could be enough to push them over the edge. And it only really takes one real-life incident influenced by a movie for it to be too much.

    One point someone brought up was that killing was simply what he did, thus the name Ender. But Ender never intended to kill Stilson, which means he was convinced that a beating would do the trick. So why is a death necessary if Ender himself doesn’t think it is? In a way, the death of Stilson in the book became essential to cementing the notion that Ender was a monster, looked upon by the world the way they should have looked at Peter, which is why it’s always stood out to me that this was an author’s technique and not entirely flowing with the natural story.

    In short, I feel a beating with a little blood and Stilson in the hospital with broken bones could have the desired effect to convince moviegoers that this incident and Ender’s answers are why Graff has chosen Ender for Battle School and at the same time wouldn’t carry all the baggage that a Stilson death could potentially bring into our real world outside the movie. If they wanted to, they could always follow the book and say near the end that Stilson died of complications in the hospital, but at that point I think the rest of the movie would have caused people to almost forget about Stilson completely, much like how I had when I first read the novel.

    It’ll be interesting to see which way they chose to take this on. Stilson plays such a small part of the story but lays the groundwork for Ender’s journey and is therefore very important. Until the movie in November 2013 or until someone’s counterargument can convince me otherwise, I maintain that Stilson’s death in the film isn’t necessary for a successful movie adaptation.

  • Ender’s Potential as a Major Hollywood Franchise

    Ender’s Potential as a Major Hollywood Franchise

    In an interview published online yesterday, The Hollywood Reporter spoke to Summit worldwide marketing president Nancy Kirkpatrick on her success in turning The Twilight Saga into a multi-billion dollar franchise across the globe. When talk turned to her next project, Ender’s Game, the words “franchise hopeful” were used.

    Post-Twilight, Kirkpatrick is turning her attention to franchise hopeful Ender’s Game, also based on a young-adult novel. The first movie opens in theaters Nov. 1, 2013.

    For anyone who might be worried about a woman who helped build the Twilight marketing success touching Ender’s Game, I’m sure she knows what she’s doing and therefore I’m not concerned. I don’t think we’ll be seeing Ender Wiggin pillow cases or Petra Arkanian Barbies.

    As book fans know, there’s no shortage of existing books in the Enderverse for them to make into movies, but with no news about whether young actors Asa Butterfield, Abigail Breslin, and Jimmy Jax Pinchak (the three Wiggins) or any of the actors playing Ender’s jeesh are signed on for more than one film, it seems safe to assume that they’re either waiting to see how well Ender’s Game performs come next November or keeping a very tight lid on a multiple film deal.

    As funny as it sounds since it’s taken nearly three decades to be adapted, of the original Ender Quartet, Ender’s Game strikes me as the most easily adaptable. Speaker for the Dead, Xenocide, and Children of the Mind are all much more involved and complicated than Ender’s Game and therefore don’t seem to have as much blockbuster potential. They are better books than they ever could be movies.

    So where could a sequel take us? Allow me, for a moment, to take us into unthinkable land.

    Bob & AlexLook behind the scenes and you’ll find Roberto Orci and Alex Kurtzman, the men who have successfully taken pre-existing characters and taken them where no man has go– sorry, Star Trek teaser sickness took over for a second, but it’ll become relevant in a bit.

    Orci and Kurtzman have written and produced mega franchises such as Transformers, which took a line of beloved characters and put them in an entirely new storyline. The franchise to date has grossed billions of dollars.

    They wrote and produced the rebooted Star Trek, which many Trekkies know took our beloved characters and turned their world upside down. What emerged was a completely fresh slate for a wealth of pre-existing characters, modernized for today’s pop culture and successful to the tune of $385 million dollars. As most of you probably know by now, the first teaser for Star Trek Into Darkness is filling up Twitter feeds and Facebook timelines across the globe. It’s primed to be another smashing success in their new Star Trek universe.

    What I’m trying to say is, what if they took the characters they adapted into the Ender’s Game movie and simply took off into the sunset, leaving behind what is arguably a series too dull to be successful movies and another series (the Bean Quartet) that is completely separated from Ender. It may seem horrifying to die hard book fans, but for those fans who still pack theater seats eager to be entertained, the idea can be simply thrilling.

    Imagine a completely new set of movies based on the adventures of Ender, Valentine, Bean, Petra, Dink, Alai, and more. Would this excite you as much as it excites me?

    With a fresh cast and a fanbase that’s been building for 30 years, this could be the next franchise conquest for Kurtzman and Orci in their ever-growing line of science fiction blockbusters.

    I’m sure Nancy Kirkpatrick would be right on board with that.

    Source: Full article at THR.com 

  • Ender’s Game: A Separation of Author and Movie

    Ender’s Game: A Separation of Author and Movie

    Ender and Graff

    So now that Entertainment Weekly has pushed out the exclusive first look at Ender’s Game, much of the world that wasn’t aware that this movie is in the can and ready to come out in about 11 months is now aware and with that has come what I think some of my fellow fansite admins have been dreading along with me: people immediately declaring against the film because of author Orson Scott Card.

    When I first read Ender’s Game, I was probably 11 or 12 years old. I was in the sixth grade. It was around 1991 and my parents eagerly shoved it into my hands, wanting me to read their favorite book and come back to them and talk about this fascinating little boy Ender.

    I couldn’t help it, I was hooked. I loved Ender. He was a savior, a soldier, and unbeatable yet kind, vulnerable, and ever so small. Reading the book again earlier this year I couldn’t help but look over at my six year old son and imagine what it must have been like for Mrs. Wiggin, to live in a world where your third child is “requisitioned” and can be taken away at a moment’s notice with hardly any time to prepare.

    My household didn’t get internet until 1996, so the idea of the nets that Valentine and Peter built their reputations on seemed very high tech science fiction to my little tween brain. It also meant that I had no idea who Orson Scott Card was other than an intimidating name on a book cover I’d come to love so much.

    Now that I’m firmly plugged into the internet, it’s been a little rough to find out more about the real man behind the Battle School because my own beliefs really don’t line up with his. Back when I started this site last year, when I first heard about Alex Kurtzmann and Bob Orci taking it on, I had to pause a minute. Did I want to do this? Did I want to create a site dedicated to a movie based on a book written by a man very vocal in the media about his anti-gay and political sentiments? In the end, it came back to Ender Wiggin.

    I couldn’t deny how much I loved this character Card had created. I couldn’t shake off the excitement I felt 20 years ago reading about kids my age responsible for the fate of the Earth, written so well that they felt real. It’s rare nowadays for me to latch on to characters in a similar way; a sure sign of a great character writer.

    And so today, over a year after I started this site and over six months after I visited the set in New Orleans, I felt saddened by the comments that began popping up on EW.

    I hope it tanks. OSC is an asshat.

    Scott Card is a serious homophobe.  Pass.

    That bigot won’t be getting any of my money.

    Saddened because after spending a whole day with the people behind the movie, without Orson Scott Card in sight, I found them all to be really, truly nice people just as passionate about the book as the people they’d invited onto their set. We met members of the cast and even parents of the cast. I don’t know what their personal beliefs are, but they’re entitled to them, just as I’m entitled to mine and Card is entitled to his. I certainly don’t think any of these kids deserves to be treated as though they’re Orson Scott Card himself.

    So that’s been a fear in the back of my mind for a while. Is this movie going to crash and burn because of its author? Will people protest the premiere? I don’t really know. I certainly hope not.

    To wish for this movie’s failure is to wish a failure upon not just Card, but on a huge cast of young actors and a crew of hundreds. Sure, it’s Card’s story, but in my humble opinion, the movie “belongs” to those who made it. Their performances will make or break this movie and that’s what we should be examining come next November.

    So while the opinions of Orson Scott Card may not match my own, I’ll continue to support this film, its cast, and its crew.

    I support Ender Wiggin.