Category: Press

  • VIDEO: Gavin Hood Talks Ender’s Game for Blu-ray Release

    VIDEO: Gavin Hood Talks Ender’s Game for Blu-ray Release

    Gavin Hood spoke with The Movie Interview about Blu-ray release and sadly dashes our hopes for a director’s cut of Ender’s Game.

    “The tricky thing with director’s cuts when you’ve got a huge visual effects movie is that in order to have those cuts you need the shots and the shots require an enormous amount of money to make the shot. So if you haven’t made the shots…”

    Big bummer there because you can hardly argue against that. There’s one deleted scene in the car between Valentine and Graff that had very basic VFX done for the DVD (you could see green outlines around Val’s head), so you can imagine that anything that included the Battle Room would end up looking like a terrible mess, which is such a shame.

    Don’t forget to pre-order your copy of Ender’s Game!

    Watch the entire video below:

  • Ender’s Game and Drone Warfare

    Ender’s Game and Drone Warfare

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    In almost every interview on Ender’s Game he has given Harrison Ford has pointed out how the relevance of this movie for today’s audiences hinges in part on its comment on current drone warfare. Some commenters have been equally persistent in claiming to see no connection between the two. Obviously, in the book there are actual pilots steering the ships while drone ships are generally just remote-controlled machines. But to point this out as the sole reason for negating Ford’s argument is a little too simplistic. After all, in both cases the decisions (and therefore the moral deliberations) are made by those who do not truly experience the horrors of war first-hand.

    Now, Slate has published an interesting little article shedding light on what Ender’s story truly tells us about drone warfare. The article focuses not just on the game-like nature of drone attacks but also on the psychological effects on the decision maker.

    [A] recent study has suggested that PTSD in drone pilots might be minimized by humanizing the drone interface. … [But] it is questionable whether we should wish to … help our soldiers kill with fewer psychological consequences. … War should be horrible and traumatic because otherwise it threatens to become merely a game, or merely a job, and the consequences of warfare where only one side stands to lose are inhumane and unacceptable.

    Read the rest of the article HERE!

    Source: Slate

  • Asa Butterfield On Choosing Movie Roles

    Asa Butterfield On Choosing Movie Roles

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    Prior to the release of Ender’s Game, Asa Butterfield sat down with Ned Ehrbar of Metro to talk about the internet, audiences, and how Glengarry Glen Ross influenced the way he chooses movie roles. Here are my favorite tidbits:

    I sort of have a checklist of things. Of course you want story to be brilliant, … that’s probably No. 1 on the list. And then of course you want your character to be as interesting as possible and not just be there to fill in the gap. Then you look at the director and the crew — are they respectable, are they reputable. Yeah, if it ticks all those boxes then generally I find it’s a good project.

    [O]ne of the most important parts is the character. It may be a lead, it may be a supporting part, it may just be very little. But as long as you can make your mark on the film, then you’ve sort of done your job. And one of the films I always refer to when talking about this is, do you know the “Glengarry Glen Ross” film? Alec Baldwin comes in at the start and pretty much just tells them to sharpen up. That scene, I mean that has one of the best pieces of acting I have ever seen — and it’s his only scene in the film. I think it’s definitely one of the most memorable scenes I’ve ever watched.

    Read the rest of the interview HERE!

    Source: Metro; photo courtesy of Zimbio

  • ‘Ender’s Game’ Costume Budget: $4M

    ‘Ender’s Game’ Costume Budget: $4M

    Tyranny of Style talked with Ender’s Game costume designer Christine Bieselin-Clark and she talked about some interesting things such as the budget for the film, which was around $4 million. We already know how complicated the flash suits and helmets were, but still, wow!

    The level of responsibility and accountability that comes with heading a department is gargantuan. You’re talking millions of dollars. Our costume budget on Tron was over $10 million, for the costume department. The costume budget on Ender’s Game was close to $4 million. The level of stress that you have for being accountable for not only bringing something visionary and interesting- a design that the director, producer, and the studio are jazzed about, but then executing it on time and on budget that’s what the designer wears. As the assistant designer, though you’re fully invested and responsible for those things as well, it’s not your plan, really. It’s not your designs. There is a level where you can just kind of take a step back and be a worker bee. Whereas going in and being the designer you really have got to be on your toes 24/7.

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    She also talked a bit about why she chose Valentine’s outfit, something I found particularly interesting because I felt like Valentine’s clothing contributed a lot to the character Abigail brought out in the film.

    [M]y future is an amalgamation of some iconic things from different time periods. Like I have a Peter Pan collar on Valentine and this Mandarin kind of stand collar on things. You take kind of things that our mind’s eye will recognize from other times and you put them all together and you make a new time. That’s sort of what we did aesthetically. And there are other reasons behind those things. You want to create an innocent childlike feeling to Valentine, so that’s why you give her the Peter Pan collar. I don’t really have one thing, because it was such an amalgamation, a mish-mosh of all kinds of different time periods.

    Clark describes in detail how technologically advanced the costume design was for Tron and that this actually prompted her to go the other way for Ender’s.

    [W]hen we went into Ender’s Game I didn’t want to use foam latex. I didn’t want to sculpt anything. I wanted to go the other way. So on Ender’s Game, the suits that we made are actually fabricated with normal pattern making and draping. The materials we used were technologically advanced. And we made materials, but the suits them self are patterned, drafted, cut, and stitched.

    We did most of it in our department. The department started in Los Angeles and then we migrated to New Orleans. So we had a lot of in house people doing the pattern making and drafting. And then Quantum, the company I had worked with on Tron, mass-produced the suits for us. So we did a prototype in house and then they did the mass-production. There are some sculptural elements like the body armor pieces on the shoulders and the helmets- they did all of that stuff for me also. The helmets we did do exactly like Tron. We did sculpt them digitally and grow them. It’s easy to do with hard stuff. The hard parts are easier to grow and 3D print than anything else, I have to say.

    I have to admit, even with the Sandboxr ship sample I got, I still don’t know what 3D printing is or how you “grow” a helmet. I’m going to have to go find a video with the process.

    Read the full interview at Tyranny of Style.

  • Asa Butterfield on Youth and Technology

    Asa Butterfield on Youth and Technology

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    At the press junket for Ender’s Game last month, Asa Butterfield answered questions at a press conference, talking about youth and technology and some additional details about his audition for the role of Ender.

    We heard that you are a gamer. What was it like to be in this ultimate gamers’ movie and how much do you feel your generation has been influenced by technology?

    Asa Butterfield: That’s a good point I think. One of the really important discussions even in today’s society is how children of my generation are growing up around this technology. It has shaped their lives. My little sister who is four can work my mom’s iPhone better than she can. It’s crazy how much has changed in the last five or 10 years, and then imagine 50 years from now how that’s going to become an even bigger part of our lives. So to take that idea and making it such an important part of the story was really exciting because I do enjoy computer games. Being able to take some of that knowledge of mine and put it into my performance was something new.

    Can you tell us about your audition for the movie and what you had to do?

    Asa Butterfield: Well I first got the script in the summer of 2011 I think, and it really stood out to me. I’m a huge fan of science fiction so this is definitely one of my favorite scripts. I was flying around in zero gravity shooting laser guns. What more could you want? Then when I found that there was a book, I read the book and I loved that. When I Skyped with Gavin the director, we talked about the character, his view of him and where I wanted to take it. It was very interesting for me to be able to have that much of a discussion about such a complex character, and I ended up flying here to LA to audition in front of Gavin and just after that I got the role.

    The full transcript can be found at We Got This Covered.

  • VIDEO: PopSugar Interviews Asa Butterfield and Hailee Steinfeld

    VIDEO: PopSugar Interviews Asa Butterfield and Hailee Steinfeld

    PopSugar sat down to interview Asa Butterfield and Hailee Steinfeld, talking to Asa about why he chose Ender’s Game, what part of Ender he wishes he could be like, and what he thought when he first saw the film.

    With Hailee, they asked what Hailee’s relationship was like with Asa offscreen, whether it was hard for her to be the only female main character, and why she loves young adult adaptations.

    Source: BuzzSugar

  • The LA Times Talks to Ender’s Game Costume Designer Christine Bieselin-Clark

    The LA Times Talks to Ender’s Game Costume Designer Christine Bieselin-Clark

    "Ender's Game" Flash Suits

    The LA Times interviewed Ender’s Game costume designer Christine Bieselin-Clark and talked to her about the construction of the flash suits and the helmets.

    Bieselin Clark designed the helmets in three parts connected by strong magnets: the main helmet, the mandible that comes around the front of the chin, and the visor. “We knew that we might get into a place where that visor and the reflections would be compromising for filming,” she said. “So that visor could come away if we needed it to not be in the shot. It’s very cool. They also had to be light enough. And we had to put little fans in them so people could breathe.”

    Since the film is set in the future, no present-day fabric felt quite right. “The predominant fabric in the Flash Suit is one that we made,” Bieselin Clark said. Using spandex or leather as a base fabric, she layered other fabrics on top using glue, solvents and heat-fusible webbings and overlaid these with thin laminates. “It was like a crazy science experiment to combine certain ingredients to make specific fabrics for specific places on the suit,” she said. “[We also did] screen printing with rubberized inks in different colors to create surface texture.”

    To construct the helmets, Bieselin Clark and her team took a digital scan of each actor and fed it into a computer program, which overlaid the helmet design onto the scanned head shape. They then created an output of that by using a rapid prototyping machine that lays down thin layers of resin and shapes them with lasers. “So you’re basically growing with lasers a part that perfectly fits the head of the person you’ve scanned,” Bieselin Clark said. “It’s super crazy.”

    They also talk to Christine about how she got into the business. You can read the full interview at the LA Times and also visit her website at www.christineclarkdesign.com.

  • VIDEOS: HitFix with Asa Butterfield and Harrison Ford

    VIDEOS: HitFix with Asa Butterfield and Harrison Ford

    HitFix interviewed Asa Butterfield and Harrison Ford in anticipation of the Ender’s Game’s opening today. Watch the videos below.

    Asa Butterfield:

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    Harrison Ford:

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    In the last video, Ford talks about seeing several cuts of the film. Perhaps… one that was longer?

  • Another “Ender’s Game” Review – Too Much, Too Quick

    Another “Ender’s Game” Review – Too Much, Too Quick

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    (Review by EnderWiggin.net staffer Liz Spencer)

    So Crystal has posted her official review, and it’s good stuff.  I was the lucky tag-along who got to have the experience of a lifetime and attend this red carpet premiere with our famous webmaster.  We made it home in the wee hours of the morning, but were absolutely too wired to sleep.  So I present to you now my 3AM ramblings, the unedited review that created itself as I just couldn’t lie down without writing it all out.  I’ll be seeing the movie again tonight, as Summit Entertainment has been kind enough to provide us with quite a few tickets to an advanced screening here in Honolulu (if you haven’t asked Crystal for tickets, there’s still time!).  So it’s quite possible that my opinions might change, as tends to happen any second time ’round.  But here is my initial reaction for your review.

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    I’ll start right off by saying that I was not as horribly disappointed by this film as I feared I would be. However, I was also not as pleasantly surprised as I hoped I would be, especially after reading reviews from several fellow fans who kindled in my mind a small fire of hope that all my worries would be for naught.

    It was a good film, but it was not a great film, and what makes it so frustrating is that all the elements were in place to create what truly could have been a marvelous adaptation.

    It was just too dang fast. All the key plot pieces were there, and they were actually done rather well. But it didn’t matter, because the story took off at a sprint and never realized that it should have been pacing itself for a marathon. Or at least a 5K.

    If I had not read the book, and went into this story completely blind, I would be asking several very important questions right now. First, I would not for a minute buy the plot. So we’re training kids to command our entire international fleet, protect our civilization from imminent destruction, and somehow they are both capable and qualified to do this after about six months in space playing laser tag?

    Condensing the timeline was a killer. It took away from the authenticity of the story. To those naysayers who have complained over the years that the story was totally impractical anyway (and I bite my thumb at them) it was at least more plausible under the original terms. Taking children – real children, not adolescents – removing them from their homes, and conditioning them under the strictest of environments for half their natural lives, one can appreciate the depth of their training, their study, and their practice.

    Of course this was also the biggest plot element that had to be revised. And this is entirely understandable, and why I have always known that any film adaptation of this book will never do it justice. Because unless they make a 20-episode miniseries (which I think would actually work fantastically) there is no way to chart the time and the growth that must occur. But I guess I was just hoping that Gavin Hood would have made it work better.

    It’s not good when even I didn’t believe that Ender was capable of what they were asking him to do. From what I saw, he showed up at Battle School, spent two days as a launchie, got transferred to Salamander, was in one battle, got promoted to commander, was in another battle, fought Bonzo, quit, decided to come back the next day, flew to Command School, met his army, and was ready to conquer the home planet in like a week. While there are several “Dear Valentine”letters that are meant to inform us of the true passage of time, we just don’t see enough of his teaching, his training, and his tactical leadership to understand why Graff seems to think he’s that big of a deal.

    And here’s where this all really sucks. Because all of these individual plot segments were actually done pretty well. If I was just watching them as clips, I’d think, “Oh, that was cool, I can’t wait to see the rest of it.” But there is no rest of it. There was no pacing, no waiting, no ten seconds to catch your breath and actually establish a scene. I didn’t have time to grow to care about Ender, really care about him. And again, if I hadn’t read the book, I don’t think I would have appreciated his internal struggle. I knew what he was supposed to be thinking because I KNEW what he was supposed to be thinking.

    And again, this sucks. Because the performances were great. I actually have no qualms with any of the actors. Asa Butterfield was magnificent. Once I accepted a 15-year old Ender (who could legitimately pass for 13) he did embody the character. If he had been given more time, more TIME to reflect and study, watch those Bugger vids and monologue a little, I would have been able to truly appreciate and believe in his story. Harrison Ford was also good, and had several excellent lines, but also suffered from a sheer lack of time. Ben Kingsley was great (I don’t know what some of those reviewers are whining about), and all the other kids were good, but given so little to do they seemed merely extraneous. They tried to build up Bean, but he never got a chance to do more than act as comedic relief (which he did very well). Moises Arias (who I was terribly, terribly worried would bring down this entire thing himself) actually made a convincing Bonzo. Unfortunately, the theater was laughing every time he was on screen. Because it WAS funny that he was so little and trying to be so tough, and while he did a good job, you never felt that Ender was in any danger at all because all he would have to do is stiff-arm the guy and he’d never get near him.

    Time. It needed more time. I’m hoping for an extended edition DVD release, but even that won’t fix some of the intrinsic rushing of these scenes. So in the end, I give it a passing grade. Of course the visuals were awesome (I just realized that I haven’t even mentioned them), but what I wanted was the story. The struggle. The journey. This cast and crew took on a most difficult project and performed admirably, and I freely acknowledge the near-impossibility of making it work just right. I guess I just hoped for a miracle. Thank you, Gavin, for all that you did. Your heart was truly in it– our visions just differ is all.

  • VIDEO: Ender’s Game Cast and Crew Visit Westminster Academy

    VIDEO: Ender’s Game Cast and Crew Visit Westminster Academy

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    During their promotion of Ender’s Game in London in the beginning of October, Asa Butterfield, Hailee Steinfeld, Harrison Ford, Sir Ben Kingsley, Gavin Hood and Bob Orci visited Film Club kids at Westminster Academy to talk about making movies. FilmClubUK just released a vid from the event.

    Source: FilmClubUK’s Youtube (thanks to Tumblr user toothle55 for pointing it out)

  • Huffington Post Talks to Andrea Powell

    Huffington Post Talks to Andrea Powell

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    The Huffington Post spoke with actress Andrea Powell recently and discussed her role as Theresa Wiggin and how she once stood in for Viola Davis with Harrison Ford during a table read!

    What was your audition like for Ender’s Game in which you play Ender’s mom? Did you HAVE an audition?

    I had an audition! And it was simultaneously wonderful and horrifying. The callback was essentially a rehearsal session with writer/director Gavin Hood, which was wonderful to work on. But by that time I wanted the role so much that I felt like every single thing I did in the audition was just grossly overacted, that I was barely better than I’d been in junior high productions, when I played the mother by spraying my hair grey. But ultimately I think I dove in very deep emotionally, connected with the character and her struggles, took Gavin’s insightful adjustments, and it just worked. That felt good, and made me a little less nervous. The callback was in New Orleans, and I remember taking my husband along and making sure that we did at least nine more interesting things in New Orleans that day, so that the callback would be the tenth most interesting thing. It was a busy day, but we accomplished it. For the audition, I just had the sides [part of the script] — the full script was locked up tight as a drum. The first time I saw it was at the table read, where I read in Viola Davis’ part opposite Harrison Ford because she couldn’t be there that day. Good thing I didn’t fully understand what was happening (truly, I was that into the script, it’s amazing) until it was over, when I looked at the scar on his chin, thought to myself, “Wow, that’s Harrison Ford,” and my stomach turned over 50 times. And Sir Ben Kingsley was sitting two chairs to my left. So yeah, just a typical Thursday.

    Read the Part 1 of the interview here.

  • Nerd Reactor Talks Dink Meeker with Khylin Rhambo

    Nerd Reactor Talks Dink Meeker with Khylin Rhambo

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    Nerd Reactor interviewed Khylin Rhambo (Dink Meeker) and talked Ender’s Game, his reaction to learning he’d be acting with Harrison Ford and Ben Kingsley, and his work on First Family.

    Nerd Reactor: You’re in a big budget science fiction action movie, Ender’s Game. What’s your excitement level right now?

    Khylin Rhambo: I mean my excitement level is probably at 9 billion right now to be honest. I’ve been waiting two years, or about a year and change, basically I’ve been waiting for this whole thing to finally unfold. Soon I get to see the finished product, so that is almost so exciting that I don’t even feel anything; it’s like a surreal moment. That’s what I’m feeling right now.

    Nerd Reactor: Can you tell us about your character?

    I play this character whose name is Dink Meeker, and he’s like the junior of the Battle School. He’s been there for a while and he comes in contact with Ender. The rules are simple, nobody interacts with the new kids because they ‘are’ the new kids and nobody likes them. But Dink, I liked playing him because he was an honorable character to play and when I say that, I mean he was willing to talk to Ender because he knew that there was something special about him. He’s willing to take one for the team if it means that they win. He’s willing to team up with people that he might not necessarily like, he’s willing to respect his boss’ orders even though his boss may be unorthodox. There’s just so many things about him that I would like to incorporate into my own life, so being able to play a noble character like that was actually an experience that I’ll never forget.

    Nerd Reactor: You get to act with some big talent including Ben Kingsley and Harrison Ford. So how was that?

    Khylin Rhambo: Man, I’m not even going to lie to you. I was really scared. When I first found out who was going to be in the cast, I was like, “Are you serious? Did they make a mistake? Am I supposed to be in the movie?” It was amazing when I first saw them because these guys, I’ve seen so many of their movies and when I shook their hand I just couldn’t help but feel honored to be part of it. Every actor says that, you know, that it’s an honor to work with this person or it’s an honor to work with that person. But it truly, truly was an honor because these guys are elite. They’re at the top and you can’t help but learn from them. The energy on set, the way they carry themselves, it was great to see them like that, to be so professional and extremely talented. So you can’t help but be better when you’re surrounded by people like that.

    Read the full interview at Nerd Reactor.

  • VIDEOS: Ender’s Game Press Junket London

    VIDEOS: Ender’s Game Press Junket London

    As you remember, some of the cast and crew of Ender’s Game did a press tour through Europe earlier this month. While in London, they gave a number of interviews, some of which have now surfaced online. Since they all have the same sort of setup, it can be quite confusing and hard to tell which interview is which just by looking at it, so here is a comprehensive list of all London press junket interview vids I could find. Enjoy!

     
    1. Joe Michalczuk for Sky News Entertainment

    Joe basically asks all interviewees very similar questions, so the real treat here is how much they sometimes differ in their answers. Asa, Hailee, Harrison and Bob, Sir Ben and Gavin talk about

    • Ender’s Game being an independent movie
    • the book, the script, and the movie
    • the potential of SciFi and the themes of the movie
    • working with the greats/being greats working with kids
    • sequels

    Watch the other interviewees here:

    Hailee Steinfeld…………Harrison Ford and Bob Orci…………Sir Ben Kingsley

     
    2. Rory Cashin for Entertainment.ie

    Now, these are probably the best ones of the lot. The Interviewer asks interesting and insightful questions and you can actually tell that the interviewees enjoy not having to talk about the same things over and over again for once. Unfortunately, these are not on Youtube, and there is no embed code available on the site. So you’ll just have to do with links!

    • Asa and Hailee on their chemistry, reading the source material when doing adaptations, physical challenges and Harrison Ford: HERE
    • Harrison and Bob on the book, SciFi, Harrison returning to space, models for Graff, the younger actors and upcoming projects: HERE
    • Sir Ben on what attracted him to the role, parallels between the story and the shooting experience, Asa, and telling stories: HERE
    • Gavin on his history with the novel, Graff vs. Anderson, challenges of adaptation, and how he works with different actors: HERE

     
    3. James Kleinmann for HeyUGuysUK and NerdyUK

    These are run-of-the-mill interviews with some interesting tidbits. Gavin Hood, for instance, talks about why he decided to play the Giant in the Ender’s Game video game sequences.

    Here is the rest:

    • Asa and Hailee on their characters and their relationship, the pressure of playing an iconic lead character, and what’s special about the movie: HERE
    • Bob and Harrison on the book, what attracted Harrison, casting Ender, Asa, and their hopes for the movie: HERE
    • Sir Ben on what he likes about the book, lead vs. supporting roles, and wearing the tattoo: HERE

     
    4. The Showbiz 411

    So far, they have only published their interview with Hailee and Asa. It’s refreshingly light-hearted and probably geared towards younger viewers. The two young stars talk about hitting it off right away, space camp, boot camp, fun on set, tight flash suits and their ideal planet.

     
    5. Cel Spellman, CBBC Friday Download

    And last but not least, the most fun video of them all. Kiddy program “Friday Download” (CBBC) presenter Cel not only interviewed Asa, Hailee, Sir Ben, Bob and Harrison, he also challenged them to a match of Rock-Paper-Scissors. The whole thing is hilarious!

    Note: It’s out of sync, so if that bothers you, just download it and play it with an audio delay of 2,1 seconds in VLC or Windows Media Player. Thanks to Tumblr users ceolwaerc and toothle55 for making it available.

     
    Sources: Youtube, Youku, Entertainment.ie