Category: Editorial

  • Summit Launches Official ‘Ender’s Game’ Facebook Page

    Summit Launches Official ‘Ender’s Game’ Facebook Page

    Update: Summit recently changed their Facebook username to EndersGame. Link has been updated.

    On Wednesday, when Entertainment Weekly posted the first official still and interview with director Gavin Hood, they also mentioned the official Ender’s Game Movie page on Facebook.

    At the time I clicked the link, there were only 22 other fans, so I admit being a bit skeptical about it being official. I did, however, confirm with Summit that this will be their official page and as you can see, as of today they’re over 4,200 fans strong and I simply got to the page when it was just a lil’ baby. In the coming weeks, we’ll probably also get to see an official website and Twitter account.

    I find Facebook movie pages to be a fascinating topic, since Facebook is undeniably an incredibly powerful marketing tool for movie studios these days, so it’ll be interesting to watch the growth rate of the page as the weeks go by and we edge closer and closer to more stills, trailers, and undoubtedly a strong presence at Comic Con.

    So what can we expect to learn by watching the number of fans on the official page? For one thing, we’d get a feel of the amount of Ender’s Game fans that use Facebook. I do think that the chances are good that the page will see massive success, simply because Young Adult novel adaptations tend to have very strong Facebook numbers and Ender’s Game does fall into the YA category (despite what NPR thinks). Some balloon exponentially without explanation and others struggle to crack the 1M barrier.

    There are a wealth of YA movies coming to the big screen in 2013 and so Ender’s Game is heading into a rather packed year for young adult book adaptations.

    • Beautiful Creatures (which stars Viola Davis too!) February 2013 (51,000 fans)
    • Warm Bodies February 2013 (148,000 fans)
    • Stephenie Meyer’s The Host March 2013 (37,000 fans)
    • Percy Jackson: Sea of Monsters March 2013
    • The Mortal Instruments: The City of Bones August 2013 (210,000 fans)
    • The Hunger Games: Catching Fire November 2013 (8.4 million fans)

    Note the major difference between all the titles on the list and The Hunger Games. It sounds almost impossible to achieve, but I’ve seen it for myself with The Hunger Games.  Back in around May 2011, The Hunger Games movie page was somewhere around 70,000 to 80,000 Facebook fans. On July 4, 2011 they hit 100,000. On August 25, they hit 150,000. On September 13, they hit 200,000.

    Keep in mind this was only six months before the movie premiered. When March rolled around, the Facebook page had ballooned exponentially to 3.5 million. And even with the 8.4 million it has today, it’s still nowhere close to Harry Potter (53 million) or The Twilight Saga (36 million).

    Before we get all excited though, it should be noted that Ender’s Game probably has a much smaller readership. The Hunger Games trilogy has 50 million copies in print and Harry Potter something ridiculous like 450 million copies, while the most current number I can find for Ender’s Game is 2 million in 2009. Someone can correct me if I’m wrong.

    Still, the book page for Ender’s Game has a very healthy 430,000 fans and paperback copies of the book were handed out to fans camping out at the Breaking Dawn Part 2 premiere, indicating that Summit is fully aware of the need for cross-promotion. The success of their Facebook page will likely depend on whether they can bring in new fans and readers, since people who enjoy young adult literature are always looking for the next awesome series to read.

    With the same studio behind Twilight and The Hunger Games marketing Ender’s Game, I definitely think it can crack the 1M barrier by drawing in a lot of new readers and movie fans. Who knows where it can go from there, but I’m hopeful about its chances.

    Help them grow by liking the official movie page today. (and while you’re at it, EnderWiggin.net too!)

  • Ender’s Potential as a Major Hollywood Franchise

    Ender’s Potential as a Major Hollywood Franchise

    In an interview published online yesterday, The Hollywood Reporter spoke to Summit worldwide marketing president Nancy Kirkpatrick on her success in turning The Twilight Saga into a multi-billion dollar franchise across the globe. When talk turned to her next project, Ender’s Game, the words “franchise hopeful” were used.

    Post-Twilight, Kirkpatrick is turning her attention to franchise hopeful Ender’s Game, also based on a young-adult novel. The first movie opens in theaters Nov. 1, 2013.

    For anyone who might be worried about a woman who helped build the Twilight marketing success touching Ender’s Game, I’m sure she knows what she’s doing and therefore I’m not concerned. I don’t think we’ll be seeing Ender Wiggin pillow cases or Petra Arkanian Barbies.

    As book fans know, there’s no shortage of existing books in the Enderverse for them to make into movies, but with no news about whether young actors Asa Butterfield, Abigail Breslin, and Jimmy Jax Pinchak (the three Wiggins) or any of the actors playing Ender’s jeesh are signed on for more than one film, it seems safe to assume that they’re either waiting to see how well Ender’s Game performs come next November or keeping a very tight lid on a multiple film deal.

    As funny as it sounds since it’s taken nearly three decades to be adapted, of the original Ender Quartet, Ender’s Game strikes me as the most easily adaptable. Speaker for the Dead, Xenocide, and Children of the Mind are all much more involved and complicated than Ender’s Game and therefore don’t seem to have as much blockbuster potential. They are better books than they ever could be movies.

    So where could a sequel take us? Allow me, for a moment, to take us into unthinkable land.

    Bob & AlexLook behind the scenes and you’ll find Roberto Orci and Alex Kurtzman, the men who have successfully taken pre-existing characters and taken them where no man has go– sorry, Star Trek teaser sickness took over for a second, but it’ll become relevant in a bit.

    Orci and Kurtzman have written and produced mega franchises such as Transformers, which took a line of beloved characters and put them in an entirely new storyline. The franchise to date has grossed billions of dollars.

    They wrote and produced the rebooted Star Trek, which many Trekkies know took our beloved characters and turned their world upside down. What emerged was a completely fresh slate for a wealth of pre-existing characters, modernized for today’s pop culture and successful to the tune of $385 million dollars. As most of you probably know by now, the first teaser for Star Trek Into Darkness is filling up Twitter feeds and Facebook timelines across the globe. It’s primed to be another smashing success in their new Star Trek universe.

    What I’m trying to say is, what if they took the characters they adapted into the Ender’s Game movie and simply took off into the sunset, leaving behind what is arguably a series too dull to be successful movies and another series (the Bean Quartet) that is completely separated from Ender. It may seem horrifying to die hard book fans, but for those fans who still pack theater seats eager to be entertained, the idea can be simply thrilling.

    Imagine a completely new set of movies based on the adventures of Ender, Valentine, Bean, Petra, Dink, Alai, and more. Would this excite you as much as it excites me?

    With a fresh cast and a fanbase that’s been building for 30 years, this could be the next franchise conquest for Kurtzman and Orci in their ever-growing line of science fiction blockbusters.

    I’m sure Nancy Kirkpatrick would be right on board with that.

    Source: Full article at THR.com 

  • Ender’s Game: A Separation of Author and Movie

    Ender’s Game: A Separation of Author and Movie

    Ender and Graff

    So now that Entertainment Weekly has pushed out the exclusive first look at Ender’s Game, much of the world that wasn’t aware that this movie is in the can and ready to come out in about 11 months is now aware and with that has come what I think some of my fellow fansite admins have been dreading along with me: people immediately declaring against the film because of author Orson Scott Card.

    When I first read Ender’s Game, I was probably 11 or 12 years old. I was in the sixth grade. It was around 1991 and my parents eagerly shoved it into my hands, wanting me to read their favorite book and come back to them and talk about this fascinating little boy Ender.

    I couldn’t help it, I was hooked. I loved Ender. He was a savior, a soldier, and unbeatable yet kind, vulnerable, and ever so small. Reading the book again earlier this year I couldn’t help but look over at my six year old son and imagine what it must have been like for Mrs. Wiggin, to live in a world where your third child is “requisitioned” and can be taken away at a moment’s notice with hardly any time to prepare.

    My household didn’t get internet until 1996, so the idea of the nets that Valentine and Peter built their reputations on seemed very high tech science fiction to my little tween brain. It also meant that I had no idea who Orson Scott Card was other than an intimidating name on a book cover I’d come to love so much.

    Now that I’m firmly plugged into the internet, it’s been a little rough to find out more about the real man behind the Battle School because my own beliefs really don’t line up with his. Back when I started this site last year, when I first heard about Alex Kurtzmann and Bob Orci taking it on, I had to pause a minute. Did I want to do this? Did I want to create a site dedicated to a movie based on a book written by a man very vocal in the media about his anti-gay and political sentiments? In the end, it came back to Ender Wiggin.

    I couldn’t deny how much I loved this character Card had created. I couldn’t shake off the excitement I felt 20 years ago reading about kids my age responsible for the fate of the Earth, written so well that they felt real. It’s rare nowadays for me to latch on to characters in a similar way; a sure sign of a great character writer.

    And so today, over a year after I started this site and over six months after I visited the set in New Orleans, I felt saddened by the comments that began popping up on EW.

    I hope it tanks. OSC is an asshat.

    Scott Card is a serious homophobe.  Pass.

    That bigot won’t be getting any of my money.

    Saddened because after spending a whole day with the people behind the movie, without Orson Scott Card in sight, I found them all to be really, truly nice people just as passionate about the book as the people they’d invited onto their set. We met members of the cast and even parents of the cast. I don’t know what their personal beliefs are, but they’re entitled to them, just as I’m entitled to mine and Card is entitled to his. I certainly don’t think any of these kids deserves to be treated as though they’re Orson Scott Card himself.

    So that’s been a fear in the back of my mind for a while. Is this movie going to crash and burn because of its author? Will people protest the premiere? I don’t really know. I certainly hope not.

    To wish for this movie’s failure is to wish a failure upon not just Card, but on a huge cast of young actors and a crew of hundreds. Sure, it’s Card’s story, but in my humble opinion, the movie “belongs” to those who made it. Their performances will make or break this movie and that’s what we should be examining come next November.

    So while the opinions of Orson Scott Card may not match my own, I’ll continue to support this film, its cast, and its crew.

    I support Ender Wiggin.

  • The Consequences of Placing the Weight of a Fandom on a Child’s Shoulders

    The Consequences of Placing the Weight of a Fandom on a Child’s Shoulders

    The internet has been buzzing lately with the big news of Disney buying LucasFilm and the even bigger news that Star Wars Episode VII is now in the pipeline.

    What started off just a few days ago as the mention of a movie has now turned into what sounds like actual pre-production, with EW getting the exclusive story that Harrison Ford (Colonel Graff in Ender’s Game), Carrie Fisher, and Mark Hamill are all up for making appearances in the film. Today, Vulture reported that Michael Arndt is being lined up to write the script.

    With all this talk of Star Wars going on, eventually I began to wonder: whatever happened to that little kid that everyone blamed for Episode I being a suckfest? After some Google searching and YouTube videos, I found a rather sad story of a kid who grew up being endlessly teased about being Anakin Skywalker and ended up taking the brunt of the fandom’s anger over the film in general. Add to that, he claims he was made to do up to 60 interviews a day. That’s brutal for an adult. He was ten.

    I was as disappointed in The Phantom Menace as everyone else was. I’d grown up on Star Wars and when I finally sat in the theater after waiting for months, watching the trailer over and over, and sitting in a snaking line that took me all the way into some hot and humid parking garage in Waikiki, I couldn’t believe how different it was and how apparent it was that the magic was simply gone. And I’m ashamed to say that I criticized little Jake Lloyd’s performance along with everyone else.

    Still, I did this among friends. Back then I had no blog. There was no Twitter and Facebook was still restricted to certain colleges. As a fan you could pretty harmlessly criticize an actor without them feeling the sting of it. But apparently there were tons of kids and fans out there who did know him and who did make his life miserable. And there seem to be a lot of people that think he has no right to complain simply because, hey, he got to be Anakin Skywalker.

    He’s destroyed all his Star Wars memorabilia and has been criticized for blaming George Lucas for what he went through but really, is he wrong?

    Jake Lloyd did not write the script. He did not make up those ridiculous lines and he did not direct himself in the movie. He was ten years old for crying out loud. A child. And really, how do you place the weight of the Star Wars franchise onto the shoulders of a 10 year-old boy?

    You don’t. Or at least, George Lucas shouldn’t have.

    Which brings me to Ender Wiggin and Asa Butterfield. If there’s been any one major complaint about this movie (and I’m sure the discussion will continue to heat up quite a bit over the next year) it’s the fact that Asa Butterfield is 15 years old and Ender Wiggin was five when he left home for Battle School. I’ve written about this topic before and will continue to defend the studio’s decision to age Ender up because the fact of the matter is, when you have a large fanbase counting on a movie adaptation as centered upon a character as it is on Ender, it’s not a good idea to base all your hopes and expectations on a child.

    I mean, how real does this experience have to be for us to have our “true” Ender? Do we have to mentally stress some little kid to the point of a nervous breakdown as Graff and Anderson tried to do for so many years? The answer is no, simply because we’re not the International Fleet and this is just a movie.

    Sure, they could have searched the world for a 5-10 year-old actor to play Ender, but I think a book that has been around for 30 years and has been studied in schools for almost as long needs to have an older actor who is better equipped for the work both during and after production and needs to be able to deal with the modern backlash that can happen if all doesn’t go as planned.

    After writing and watching how things work in the movie business, I have only a small glimpse of what child actors go through and with the legions of vicious cyber bullies on Twitter, Tumblr, YouTube, and Facebook, I can only imagine how much worse it can be for them now than it was for Jake Lloyd 13 years ago.

    And while I’m not saying Ender’s Game is going to be as big as a Star Wars movie, the same concept applies to any body of work that has a large fandom sitting out there waiting.

    I’ve briefly met Asa and he seems to have a great head on his shoulders. He takes his online presence in stride and is very well composed on the red carpet, crediting his mother for dressing him and charming those he speaks to and works with on set. This is a boy properly equipped to deal with the side effects of playing Ender Wiggin. I find it hard to believe that a much younger actor would come out of this experience as unscathed and unphased as he probably will.

    As for Jake Lloyd, he has my apologies and he has my sympathies. None of it was really his fault and I wish Lucas had had the foresight to age his little Anakin up for the sake of a young boy’s childhood and young adulthood.

  • NPR Calls Ender’s Game Too Violent for Young Readers

    NPR Calls Ender’s Game Too Violent for Young Readers

    Warning: this editorial contains major spoilers for the book Ender’s Game.

    Readers of this site may remember that about a month ago I posted about nominating Ender’s Game for NPR’s Top 100 Young Adult novels. The founder of Ender’s Ansible had asked a bunch of the fansites to help get the book nominated into their poll by spreading word of the list to the fanbase and I was more than happy to oblige, even though I don’t put much weight into lists like these since so many places love to make them.

    So imagine my surprise today when I found out that Ender’s Game has been deliberately left off of their young adult fiction poll. The reason?

    The judges cut Ender’s Game for the same reason — Ender himself is young, but the book’s violence isn’t appropriate for young readers.

    This baffled me, to be honest, because I’ve always felt that one of the most tragic parts of the novel includes the fact that the true violent nature of Ender’s actions is deliberately kept from him. When Card chose to hide this aspect of Ender from his own protagonist, he hid this from his readers as well until the very end.

    As you may or may not recall, Ender doesn’t find out about the deaths of Stilson and Bonzo Madrid until he watches Graff’s court martial years later on Eros. By then, the climax of the novel has numbed Ender and readers, and therefore effectually softened the emotional impact of their deaths through the terrifying reality of Ender’s destruction of an entire species. The scenes of the fights themselves may have been violent, but they were also quick and somewhat vague.

    Which leads me to question whether the NPR judges have even read the books they included in their poll.  Other books that made it onto their list include:

    • Lord of the Flies by William Golding
    • The Hunger Games by Suzanne Collins
    • Divergent by Veronica Roth
    • Maze Runner by James Dashner
    • Dune by Frank Herbert

    Apparently Ender’s violence isn’t “appropriate”, but the following passages are shining examples of acceptable violence for young readers.

    It takes a few moments to find [name omitted for spoilers] in the dim light, in the blood. Then the raw hunk of meat that used to be my enemy makes a sound, and I know where his mouth is. And I think the word he’s trying to say is please. Pity, not vengeance, sends my arrow flying into his skull.

    Collins, Suzanne (2009-09-01). The Hunger Games

    Two more Grievers broke from the pack and swarmed over [name omitted for spoilers], piling on top of each other, snapping and cutting at the boy, as if they wanted to rub it in, show their vicious cruelty. Somehow, impossibly, [name omitted for spoilers] didn’t scream. Thomas lost sight of the body as he struggled with Newt, thankful for the distraction. Newt finally gave up, collapsing backward in defeat.

    Dashner, James (2009-09-25). The Maze Runner

    [name omitted for spoilers] lies on the floor next to his bed, clutching at his face. Surrounding his head is a halo of blood, and jutting between his clawing fingers is a silver knife handle. My heart thumping in my ears, I recognize it as a butter knife from the dining hall. The blade is stuck in [name omitted for spoilers]’s eye.

    Roth, Veronica (2011-05-03). Divergent

    I have read all three of these books and so I therefore know first hand just how completely violent they are.

    That’s not to say that Ender’s Game isn’t violent. Ender does beat another child unconscious and fights naked in a shower, punching another student in the groin. But how is this any more violent than the passages above?

    Sure, maybe the children in Ender’s Game are younger than “young adults”, but so are all the children in Lord of the Flies, which successfully made it onto the list. Dune features a very sadistic and violent group of characters in the Harkonens. Both of these books made the list because they’ve “become rites of passage for teen readers”. Does Ender’s Game get no credit for its themes on child bullying, population control, and the lengths humanity can be stretched to “for the greater good”? Does The Hunger Games, which kills a whopping 20+ children violently, only get on the list because it’s wildly popular right now?

    I suppose I shouldn’t even let this bother me since as I mentioned earlier, lists like these don’t mean much. Despite this, I still find it rather ridiculous and insulting to presume that young adult readers, to which these books are pitched to, can’t handle the violence of Ender’s Game, but are deemed adequately equipped to emotionally handle mutilated corpses and head stabbings from books with more dramatic and graphic violence.

    Something just doesn’t add up there.

  • Review: Earth Unaware: The First Formic War

    Review: Earth Unaware: The First Formic War

    Orson Scott Card’s latest Ender novel Earth Unaware: The First Formic War, co-authored by Aaron Johnston, was released last week on July 17 and my review copy came in the mail just a couple of days later.

    A hardcover book of 364 pages (excluding the Afterword), Earth Unaware is an official Ender’s Game prequel that brings us the story of humanity’s very first encounter with the Formics. Earth Unaware has interesting and well fleshed out characters, a steady pace, and great foreshadowing for Ender’s Game.  The book is split into three separate storylines and two of them eventually intertwine to provide you with a thrilling and terrifying ride through the Kuniper Belt.

    First there’s the El Cavador storyline, told mostly from the perspective of Victor Delgado, a brilliant 17 year-old free miner mechanic on his Venezuelan family’s mining ship, the El Cavador. You start off meeting Victor at a time of painful loss, as his closest cousin and best friend Alejandra, nicknamed Janda, is “zogged” or married off to another clan early to an Italian clan the Delgados have been trading with for the past week because they sense that the two cousins are falling in love. (this chapter can be read as a sample on Tor.com) For her sake, Victor chooses not to say goodbye and instead immerses himself into his work.

    That’s soon interrupted when Janda’s younger sister Edimar, an apprentice in the ship’s crow’s nest called The Eye, spots something in the distance that by her calculations is decelerating. The conclusion they both come to is that it’s an alien starship headed for Earth. They notify the ship’s captain immediately and with only the departed Italian ships and one corporate mining ship within communication distance, they send off messages in the hopes that they reach them.

    The second storyline follows that of the Makarhu, a corporate space mining ship led by Lem Jukes, son of Ukko Jukes, who is the wealthiest man in the galaxy and president of Earth’s largest corporate mining company Juke Limited. Lem is on a mission for Juke Limited’s R&D division to test the outrageously expensive prototype “glaser” or gravity laser to hopefully provide them with a revolutionary way to mine minerals out of asteroids. The Makarhu is the corporate ship nearest to the El Cavador.

    Impatient and eager to return home with good news, Lem is plagued by delays and an overcautious lead scientist and after their first test on a “pebble” or small asteroid, he makes the call to head to a much larger asteroid nearby. The problem is that it’s being mined by the Delgado clan. Not to be discouraged, Lem suggests the unethical practice of “bumping” the El Cavador from the rock and taking it for themselves. This begins a terrible conflict between the two ships, with what’s presumably a Formic ship quickly approaching.

    Back on Earth, we follow Captain Wit O’Toole, head of the elite peacekeeping force known as the Mobile Operations Police or MOPs for short. Recruiting from the most elite military forces on the planet, Wit’s visit to the New Zealand SAS base is where we get our first glimpse of young Mazer Rackham. The downside is that while Wit’s story is interesting and entertaining, he parts ways with Mazer early on in the book and his story fails to tie into the meat of the story in a relevant manner and in the end Wit only serves as backstory for what’s obviously another book to come.

    Victor makes for a fascinating young adult character with admirable qualities and a deeply rooted loyalty to his family and a “home” he’s never even seen in Earth, since he is space-born. Lem could have been a typical rich kid character, but thankfully, he’s a reluctant non-hero with ethics and the yoke of his father muzzling his full potential. This makes him a much more complicated and therefore interesting man.

    You see shades of Ender’s Game throughout, but most notably with the glaser, which is obviously the prototype for what eventually becomes the Little Doctor. Wit O’Toole’s elite force leads one to believe that he’ll eventually help form the International Fleet, since his MOPs are a global force that do not answer to individual governments and strive to keep harm from coming to civilians. The climax of the novel brings you thrills similar to the Battle Room and you can’t help but think that this influenced how they trained the students in the school.

    I’d been struggling through Children of the Mind when Earth Unaware landed on my desk and I finished the book in a quick three days, being a bit slow to start since I’d already read most of the first chapter online. Once I got a bit deeper in, however, the story and characters pulled me in until I couldn’t put it down. It’s a very strong novel for what I presume will be a set of prequel books. My only wish was that Captain Wit had tied in better with the main storyline.

    If you’ve been waiting to buy the book until you read reviews, consider this review one that urges you to pick up the book immediately. While decidedly different from Ender’s Game, Earth Unaware is a quality novel and overall a highly entertaining read.

    Earth Unaware was provided to me by Tor Books. I was not paid to write this review. All opinions expressed above are my own.

  • EnderWiggin.net Visits the Set of ‘Ender’s Game’

    EnderWiggin.net Visits the Set of ‘Ender’s Game’

    TrainingEarlier this week, I found myself standing where I never thought I’d be: on the set of Ender’s Game.

    As some of you may know, it’s nearing the end of filming in New Orleans, Louisiana and Summit Entertainment was kind enough to give the Ender’s Game fansites press access.

    It was my first visit to New Orleans and I was thrilled to be there, but all the wondrous sights of the city were nothing compared to the anticipation I had about the set. It consumed my mind as my day of departure neared and I tried lots of different things to prepare myself for the visit.

    Of course, I re-read Ender’s Game. I obsessed over Google maps of the set area and constantly told myself how much it was going to suck. That I would end up spending most of my day doing what I’ve usually done on sets while doing background work, which is sit around reading a book I brought with me to kill time. Whenever I don’t want to find myself disappointed I usually build up negative anticipation about the whole thing.

    I didn’t, however, insult the studio by actually bringing a book with me to read. I would have brought a copy of Ender’s Game in the hopes of getting it signed, only I forgot it in my hotel room, along with my notepad. Oops. Which turned out fine because they were so nice they actually gave me one to use. In the end, all my negative mood building was completely unnecessary.

    I wish I could go into detail about everything and spill it all now, but unfortunately we have to keep it all in until we get closer to the movie’s release. We wouldn’t want you all to read it, get excited, then forget it in the tortuous 525 days left until the movie’s release. The awesome part is there’s so much for me to write about that I’ll probably be able to split it into a 10 post series once we’re given the green light to talk about it. Well, maybe not that many, but there’s a lot to say. I’m frantically typing it all out so that I don’t forget anything.

    Ender's ChairBefore you guys start thinking access to the set has bought my devotion to the movie, let me just assure you that it wasn’t being allowed there that has me convinced; it’s what we got to see. Everything simply blew my mind and eased every concern I had with the production. Normally nothing can compare to the grandeur you imagine in your head, but they made my imagination seem small, stale, and boring in comparison.

    The people we met and talked to were all so passionate about the film they were making. One of the other journalists in our group made sure to nail down personal relationships with the book right off the bat in nearly every interview and I don’t recall a single person we talked to saying they hadn’t read the book. They’re all fans and they all love Ender just as much as we do.

    Yet another great part about the visit was the opportunity to meet and get to know my fellow fansite admins from Ender’s AnsibleEnder News, and Ender’s Game Fansite (click to read their writeups!). In my work with The Hunger Games, I didn’t get to meet all the great people I talk to every week for close to a year, so it was so nice to be able to meet everyone so early on. Funnily enough, all four of us were ladies and we had a nice little chat at the hotel the night before the visit. We also got to meet awesome people from various websites and press outlets including J-14, IGN, Nerdist, and HitFix. All of them were great to meet as well.

    With a whopping 15 months to go until the world gets to see what magic they’re creating over in New Orleans, it’s hard to be sitting back at home frantically trying to capture in writing our wonderful experience, knowing that the finished product is so far away.

    My thanks to our gracious hosts and to Summit Entertainment for making us feel so appreciated and welcome. I’m so completely excited for the year and a half to come, when stills start to surface along with posters and teasers and clips and trailers. Here at EnderWiggin.net, we’ll be sure to keep you up to date with it all!

  • Can Teenager Asa Butterfield Play a Young Ender?

    Can Teenager Asa Butterfield Play a Young Ender?

    It’s already been made clear by early casting calls for the film adaptation of Ender’s Game that Ender has been aged up from 5 to 10.

    Obviously, finding the right five year-old actor to portray the child genius Andrew could have kept the movie in limbo for yet another 20 years no matter how strong the script, so aging him up is an understandable change to a science fiction classic that has been a favorite of readers for decades.

    Asa ButterfieldStill, when it was announced that Asa Butterfield had been offered the key role, I have to admit I had reservations. Sure, he looked the part of an older Ender, but could he play the younger Ender as well?

    Pictured right, Butterfield looks like a teenager. It’s moderately difficult to see how this young man could pull off being so young. Past pivotal young male roles were cast pretty close to their character’s ages. Haley Joel Osment was 10 when he filmed The Sixth Sense and his character was 9 years old. Macaulay Culkin was 9 when he played 8 year-old Kevin McCallister. Butterfield looked very young in Hugo, but his character was twelve years old.

    Fourteen years old when he was cast and just recently turned fifteen this April, could Asa Butterfield be made to look like he is a young 10 year-old boy? Photos posted to Twitter today seem to support that the answer to that is a convincing yes.

    Asa Butterfield and Aramis Knight

    This photo was posted by Asa Butterfield (left) and Aramis Knight (Bean, right) today and Asa does look a lot younger with his military hairstyle, though it could be the angle and camera filter playing tricks on the eyes. It could just be the expression on his face.

    What do you think, folks? Does he look like he can pull off 10 years old? After seeing the photos posted today, my reservations have definitely begun to fade away.

    Hopefully we’ll get a real photo of Ender soon. Everyone cross your fingers for next week!

    View more photos below: